Etienne Augris

Les Barbares was premièred at the Paris Opéra (Palais Garnier) in October 1901, having originally been intended for the Roman theatre of Orange, in Provence. Rather than concentrating on bloodshed and slaughter, the plot focuses on the evolution of the relationship between Floria, the chief vestal, and Marcomir, the leader of the Barbarians, with the musical interest of the opera culminating furthermore in their splendid duet at the end of Act II. Saint-Saëns, like Massenet too at that time, shows here his ability to adapt his style to suit his literary inspiration. Les Barbares is in the same vein as Berliozs Les Troyens and contemporary with Faurés Pénélope.

Un recueil des travaux de ce chercheur et docteur en histoire des sciences, à l'exception de ses textes sur l'épistémologie. L'auteur explore le concept de temps, les travaux d'A. Einstein ou encore les origines de l'univers. …

Following the release of his debut album in May 2007 the virtuoso horn player Etienne Cutajar, who took up his first orchestral seat at 18, has seen his career develop with important orchestral appointments in Scotland and elsewhere before returning to his native country to become principal horn of the Malta Philharmonic. He has also appeared as chamber soloist in many prestigious venues. This album is named for the central work, Mdina, by Maltese composer Jesmond Grixti; this is a work for horn solo and accompanied by two more contemporary pieces: Air für Horn by Jörg Widmann and Cynddaredd-Brenddyd by Heinz Holliger.