Everything on The Table

What makes fad diets so appealing to so many people? How did there get to be so many different ones, often with eerily similar prescriptions? Why do people cycle on and off diets, perpetually searching for that one simple trick that will solve everything? And how did these fads become so central to conversations about food and nutrition?

Damien Jurado’s 14th album, In the Shape of a Storm. Ahead of its official release, Aquarium Drunkard is pleased to share a full stream of the album, accompanied by AD’s own Jason P. Woodbury’s essay about the new album.

The Sunshine Company's very name summons the spirit of the mini-genre of 1960s pop-rock that, long after its heyday, was named sunshine pop. So does their music, with the requisite exquisite multi-part male-female harmonies, buoyant optimism, and luxuriant late-1960s L.A. studio production. Look a little under the surface, though, and you find tinges of eccentric melancholy that set them apart from many of the frothy Mamas and the Papas-like groups of the period. Just as their music was more multi-dimensional than you might be led to believe by their trio of Top 100 hits, so was their story more complex than many would imagine. Could there have been any other band whose brief career whisked them through the orbits of the Carpenters, the Fifth Dimension, Jackson Browne, the Jefferson Airplane, Mary McCaslin, and John Davidson, ending at the even unlikelier destination of a pre-stardom Gregg Allman?