Extreme Cinema

Inside a quarantined apartment building a man must protect his pregnant wife from his new neighbors.

Three key moments, all of them sensual, define Ana's life. Her carnal search sways between reality and colored fantasies becoming more and more oppressive. A black laced hand prevents her from screaming. The wind lifts her dress and caresses her thighs. A razor blade brushes her skin, where will this chaotic and carnivorous journey leave her?

A series of human and computer errors sends a squadron of American 'Vindicator' bombers to nuke Moscow. The President, in order to convince the Soviets that this is a mistake, orders the Strategic Air Command to help the Soviets stop them.

This explosive work about the conflict between the spirit and the flesh is the epitome of the sensuous style of Michael Powell and Emeric Pressburger. A group of nuns - played by some of Britain’s finest actresses, including Deborah Kerr, Kathleen Byron, and Flora Robson - struggle to establish a convent in the Himalayas, while isolation, extreme weather, altitude, and culture clashes all conspire to drive the well-intentioned missionaries mad. A darkly grand film that won Oscars for Alfred Junge’s art direction and Jack Cardiff’s cinematography, Black Narcissus is one of the greatest achievements by two of cinema’s true visionaries.

Hailed as one of the finest films ever made, legendary director François Truffaut’s early masterpiece Jules and Jim charts the relationship between two friends and the object of their mutual obsession over the course of twenty-five years. Jeanne Moreau stars as Catherine, the alluring and willful young woman whose enigmatic smile and passionate nature lure Jules (Oskar Werner) and Jim (Henri Serre) into one of cinema’s most captivating romantic triangles. An exuberant and poignant meditation on freedom, loyalty, and the fortitude of love, Jules and Jim was a worldwide smash upon its release in 1962 and remains as audacious and entrancing today.

Lars von Trier shook up the film world when he premiered Antichrist at the 2009 Cannes Film Festival. In this graphic psychodrama, a grief-stricken man and woman - a searing Willem Dafoe and Cannes best actress winner Charlotte Gainsbourg - retreat to their cabin deep in the woods after the accidental death of their infant son, only to find terror and violence at the hands of nature and, ultimately, each other. But this most confrontational work yet from one of contemporary cinema’s most controversial artists is no mere provocation. It is a visually sublime, emotionally ravaging journey to the darkest corners of the possessed human mind; a disturbing battle of the sexes that pits rational psychology against age-old superstition; and a profoundly effective horror film.

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Appearing at first like a standard samurai movie, this Japanese film is a tragic drama with overtones from Japan's classic theaters: Kabuki and Noh. Indeed, the protagonist's unwitting self-destruction resembles that of Oedipus in Greek drama. Gengo (Katsuo Nakamura) is a ronin, a samurai-for-hire, which, according to the samurai ethic, is no kind of human being at all. He spends some time with a courtesan (a kind of countrified geisha, not a prostitute) and the courtesan and her husband rob him. In seeking retaliation, he wreaks havoc in their community, kills the courtesan, and drives her husband to suicide. But all is not as it appears to be. Gengo is a deposed nobleman, and the courtesan, unaware of his identity, was a supporter of his cause. In robbing the anonymous ronin, she was continuing her campaign to raise money to make possible the nobleman's reinstatement. In killing his supporters in this way, Gengo has violated the deepest ethics of feudal lordship.

Michael Powell and Emeric Pressburger’s beloved classic A Canterbury Tale is a profoundly personal journey to Powell’s bucolic birthplace of Kent, England. Set amid the tumult of the Second World War, yet with a rhythm as delicate as a lullaby, the film follows three modern-day incarnations of Chaucer’s pilgrims - a melancholy “landgirl,” a plainspoken American GI, and a resourceful British sergeant - who are waylaid in the English countryside en route to the mythical town and forced to solve a bizarre village crime. Building to a majestic climax that ranks as one of the filmmaking duo’s finest achievements, the dazzling A Canterbury Tale has acquired a following of devotees passionate enough to qualify as pilgrims themselves.