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Für seine erste, sehr erfolgreiche Aufnahme mit Klavierkonzerten Mozarts hat Martin Stadtfeld von der Presse großes Lob bekommen. Jetzt widmet er sein neues Doppel-Album dem jungen Mozart. Zwei »Salzburger Klavierkonzerte« hat er mit dem Mozarteum Orchester Salzburg unter Mozart-Spezialist Ivor Bolten eingespielt: das erste Klavierkonzert KV 37 des 10-jährigen Mozart (von 1766) und das lange als »Jeunehomme« bekannte Klavierkonzert Nr. 9, KV 271, welches 10 Jahre später entstand und als erstes Meister-Konzert gilt. Für beide Konzerte schrieb Stadtfelld neue Kadenzen.

Wolfgang Amadeus Mozart was not only one of the greatest composers of the Classical period, but one of the greatest of all time. Surprisingly, he is not identified with radical formal or harmonic innovations, or with the profound kind of symbolism heard in some of Bach's works. Mozart's best music has a natural flow and irresistible charm, and can express humor, joy or sorrow with both conviction and mastery. His operas, especially his later efforts, are brilliant examples of high art, as are many of his piano concertos and later symphonies.

Wolfgang Amadeus Mozart was not only one of the greatest composers of the Classical period, but one of the greatest of all time. Surprisingly, he is not identified with radical formal or harmonic innovations, or with the profound kind of symbolism heard in some of Bach's works. Mozart's best music has a natural flow and irresistible charm, and can express humor, joy or sorrow with both conviction and mastery. His operas, especially his later efforts, are brilliant examples of high art, as are many of his piano concertos and later symphonies.

Wolfgang Amadeus Mozart was not only one of the greatest composers of the Classical period, but one of the greatest of all time. Surprisingly, he is not identified with radical formal or harmonic innovations, or with the profound kind of symbolism heard in some of Bach's works. Mozart's best music has a natural flow and irresistible charm, and can express humor, joy or sorrow with both conviction and mastery. His operas, especially his later efforts, are brilliant examples of high art, as are many of his piano concertos and later symphonies.