Fabian Willman Trio

21 meters 60: that's the length of the tubes of the three instruments that give us an extraordinarily low-frequency experience on a new GENUIN album: Tubists Constantin Hartwig, Fabian Neckermann, and Steffen Schmid perform music from Monteverdi to the present on their trio's debut album. Their creative arrangements combine a wide variety of styles and genres: Monteverdi's canzonettas are given a completely new warmth and roundness. Astor Piazzolla's famous Libertango surprises us with pulsating rhythms and rough edges. And finally, the three tuba players take us to the cinema, to a tongue-in-cheek and breathtaking homage to Morricone. Our recommendation: take a deep breath and immerse yourself in this extraordinary world of sound!

Après la sortie de Papillon en 2019, 14ème album studio de Lara Fabian, l’artiste qui fête ses 50 ans cette année et ses 30 ans de carrière, prolonge cette aventure musicale exceptionnelle avec une réédition intitulée Papillon(s), à paraitre le 20 mars 2020. Papillon(s) réunit dans un élégant packaging, les onze chansons originales de l’album ainsi que trois titres inédits « En chemin », « C’est l’heure » et « Undefeated Love ». A travers des sonorités résolument actuelles, ces morceaux soulignent les capacités vocales extraordinaires de Lara Fabian sous un angle nouveau. Cette réédition contiendra également quelques « tickets d’or » glissés aléatoirement qui permettront à un petit nombre de fans privilégiés d’accéder à un cadeau exclusif!

During the last seasons, Fabian Müller could establish himself as one of the most remarkable German pianists of his generation. He caused a great sensation at the International ARD music competition in Munich 2017, when he not only won 2nd prize in the overall ranking, but was awarded with not less than four additional prizes: the audience prize, the Brothers Busch award, the special prize Genuin classics as well as the Henle Urtext award. The Süddeutsche Zeitung commented on his festival performance of Beethoven’s Piano Concerto No. 3: “This was played eminently clear, transparent, exciting in each phrase and every single tone. To play with such a controlled and round touch, but with fine expression and sense for structure and tension curves, is a stroke of luck.”