Simon Schama explores the history of British portraiture, revealing the stories behind the most compelling images in British art and examining the ways portraiture is used to make a statement. The historian explores the history of British portraiture, revealing the stories behind some of the greatest images in art. Throughout the series, he examines how the art form has been used as a declaration of love, to promote fame, to offer insight into the artists themselves and to capture the faces of the British people.
Faces in medieval sculpture are explorations of human identity, marked not only by evolving nuances of style but also by ongoing drama of European history. The eighty-one sculpted heads featured in this beautifully illustrated volume provide a sweeping view of the Middle Ages, from the waning days of the Roman Empire to the Renaissance. Each masterful sculpture bears eloquent witness to its own history, whether it was removed from its original context for ideological reasons or because of changing tastes. …
As the Shroud of Turin is put on public display for the first time in 10 years, new data reveals more than just a flat image embedded in the ancient cloth, but an astonishing, three-dimensional, sculpture-like figure. Using the principles of physics, cutting-edge digital technology, and the revolutionary CGI process pioneered in Stealing Lincoln's Body, History brings that image to life, unveiling the most accurate representation ever seen of what many believe to be Jesus Christ.