Fantastic 90s

"Megadeth" is not a call for Armageddon. It's a name that was built 16 years ago upon a foundation of cold war politics, economic upheaval and cutthroat capitalism. When I left my previous band, I was looking for paper to write lyrics on because I was trying to keep myself from going insane on a four-day bus ride. I found a handbill from Senator Allan Cranston that was talking about the danger of nuclear armament. It said, "The power of megadeath can't be rid", and I thought - "What a fantastic name, it represents extreme power".

Dave Mustaine.

The Reborn is only too fitting a title for the fourth Risk full-length, because it marks a huge transformation in sound and production values that stood far above the first three. They've gone for an all out, apocalyptic concept album here, and even a cursory listen will reveal that the band have emerged from some chrysalis and taken on a more refined, matured mesh of power and thrash metal which has some slight similarities to late 90s Rage, only more polished…

A collection of 19 CD and 2 DVD, which includes all the studio albums by Bryan Adams at the moment, also 2 compilations of his best songs and 4 live albums. Additionally added 2 DVD - "Unplugged" and the bonus album "11", and two maxi-singles for the album "18 til I Die".

Dreamscapes is a limited edition eight-CD set of rare Alphaville recordings, released in 1999. It features 124 tracks with a total playing time of around 9.5 hours. 43 of the songs had never been available before, and all of the remainder had been remixed…

John McCabe's recording of Herbert Howells' clavichord music is a chance to hear some twentieth century music inspired by C.P.E. Bach's favorite instrument. While other composers were re-discovering the harpsichord, Howells' love for early English music and the instruments of two modern clavichord makers led to the composition of the three sets of miniatures: Lambert's Clavichord and Howells' Clavichord Books One and Two. Howells dedicated every piece in each set to a friend, and in the last two sets he even sometimes attempted to put something of the dedicatee into the music, whether it was a description of that person's character or an imitation of a fellow composer's style. Howells' titles, and in many instances the style of the piece, is a reference to the keyboard compositions of the English virginalists of the late sixteenth/early seventeenth centuries. On the one hand, "Lambert's Fireside" and "Goff's Fireside," named after Herbert Lambert and Thomas Goff, the two clavichord makers, are almost completely idiomatic of virginal music. On the other, the meandering tonality of "Rubbra's Soliloquy" and "E.B.'s Fanfarando" marks them as twentieth century compositions.