Taken from a live 1993 performance in London, Feed the Fire is an album filled with surprises. Betty Carter is known for her practice of featuring hot new up-and-coming musicians in her bands, but on this recording she is accompanied by established, world-class talent: Geri Allen, Dave Holland, and Jack DeJohnette. Dave Holland demonstrates why he is one of the greatest living bassists with his unerring sense of melody and pitch. Jack DeJohnette, an acknowledged master of the drums for 30 years, is nothing less than explosive, punctuating the solo statements of his bandmates with powerful flurries. Allen's touch is reminiscent of Keith Jarrett's at times, such as on her excellent solo on "Love Notes"…
Audrey Powne's stunning debut album, From The Fire, is set to be one of those must have LPs in any music lover's collection. Something of an auteur release it features nine tracks all composed by Audrey, with all string arrangements and all produced by her. Audrey's decision to produce the whole album herself came from a desire to take creative control of her music and apply techniques developed from the influences of the producers she had previously worked with. If all of the above were not enough Audrey also wrote the lyrics for those tracks on which she sings, and as a multi-instrumentalist contributes piano, Rhodes and organ. She also features as a trumpeter with dextrous and soaring solos as evidenced by the two single releases so far; Feed The Fire and the title track, From The Fire.
What’s behind THE RED DOOR? For pianist Orrin Evans, that question has come to symbolize the daring path his life and music have taken over the course of his three-decade career. On his latest album, he once again flings that door open, delighting in the collaborators, friends, inspiration, and history that he finds inside.
Vocalist, Travis Johnson has been a bassist with the band IN THIS MOMENT for years. His devotion to music and lack of limitations on himself brought about the desire to sing. He had tried his hand at lead vocals with other groups, but when Guitarist Brian Jackson - formerly of SKINLAB and producer Logan Mader (ONCE HUMAN, MACHINE HEAD) came calling, he knew that the material they were putting together was an unmissable opportunity. As Brian, Travis and Logan were tracking, Bassist, Matt Snell (ex of FIVE FINGER DEATH PUNCH), asked them who was going to play bass for the group. “You” said Travis, who had been in a band called FLATLINE with Matt. “It was meant to happen,” he noted. “I have forced it to happen in bands, but this one I didn’t need to. It felt right.” Matt brought with him a drummer who had been a local friend in Sparks, NV. With a drumline background, Darren Badorine proved himself with the group. “We made Darren work his ass off to get this job,” says Brian. Next came Brian’s ex SKINLAB bandmate, Marcos Medina, who joined as a second guitarist once the recording was completed, rounding out the band.