Here We Go Magic is a five-piece band made up of members Luke Temple, Kristina Lieberson, Michael Bloch, Jennifer Turner, and Peter Hale. They originally came together in New York in early 2009 through a series of chance encounters, overheard conversations and supernatural occurrences. They spent much of 2009 on successive North American and European tours with bands such Department of Eagles, Grizzly Bear, and the Walkmen, before retreating to a house near East Branch, NY to record their second full length LP. Pigeons, set for release on Secretly Canadian in late Spring 2010, was produced and recorded by Here We Go Magic over four months in the late Summer and Fall of 2009. The band plans extensive touring in conjunction with its release.
Anvil has been on a rock n' roll journey for the past three decades, but has become a rocket ride into the musical and pop culture stratosphere only recently which is why this 19-track career retrospective is for both fans new and old. With one listen, you'll find out why members of Guns 'N Roses, Metallica, Motorhead, Anthrax, Slayer and more have praised Anvil as pioneers in the Heavy Metal world and count themselves as fans. After one listen to this retrospective, we are pretty sure you will too.
”Undertow” is the debut full-length album by American progressive metal band Tool, released in 1993. At the time, grunge was at the height of its popularity, and pop punk was slowly beginning to gather mainstream attention. Undertow helped heavy metal music remain prominent as a mainstream musical style, and allowed several later bands to break through to the mainstream. Undertow has sold 2,910,000 Copies in the US.
As one-third of the composer-collective Bang on a Can, David Lang is something of a genial father figure of the indie-classical scene. Talk to any of the world's main players and you're likely to hear them tell you about their life-changing stint in Bang on a Can's summer festival, which has acted as a sort of feeder school and incubator for the group's try-anything mentality. Lang's music has undergone many stylistic shifts over the years: In the 80s, he wrote bristlier stuff, but in the last decade or so, he's shifted quietly into a more pensive register. The Little Match Girl Passion, his 2008 work that won him a Pulitzer, was written for only four voices and some hand bells. This Was Written By Hand, his most recent recording, is a collection of short solo piano works played by the British pianist Andrew Zolinsky. The album holds the same, sustained melancholy mood: thoughtful, searching, elegiac, minimalist. Lang's way with repetitive phrasing doesn't feel like that of minimalists like Glass or Reich's, though.