First Kingdom

UK band Kingdom Come was the band of British artist Arthur Brown in the first half of the 70's, releasing three critically acclaimed albums before they folded in 1974. The keyboardist in the final line-up, US musician Victor Peraino, was given and used the opportunity to continue using the band name, and released a single album in 1975 as Victor Peraino's Kingdom Come. Since then news around the band have been fairly quiet, although it would appear that there's been a bit of activity. Featuring Arthur Brown on vocals again, "Journey in Time" is the second full-length production issued by the US based version of the band, and was released through the Italian label Black Widow Records in 2014…

The third and final Kingdom Come album has been most noted in retrospect as one of the first rock records to use a drum machine, which was still quite a novelty back in 1973. In other respects it was also a departure from Kingdom Come's previous sound, with the songs not quite as doom-suffused as their first album (Galactic Zoo Dossier) or as whimsical as their second (Kingdom Come), if just as intense in their philosophical questing. But it's a Kingdom Come record, which by definition is an uneven experience, dwelling in the darker side of early-'70s prog rock, but also touching on heavy metal, jazz, science fiction electronics, and blues from time to time. The cold electronic touches (including synthesizer and mellotron) and the bleak time-of-reckoning-has-come melodies limited its appeal…

Kingdom Come is the debut studio album by American rock band Sir Lord Baltimore, released on Mercury Records in 1970. This album is notable for the fact that its 1971 review in Creem contains an early documented use of the term "heavy metal" to refer to a style of music. It features very fast-paced, rhythm and blues-based rock 'n' roll with high levels of distortion in the guitar and, in some cases, the bass. Baltimore's heavy style can be compared to early Black Sabbath, the Stooges and MC5. Kingdom Come has received acclaim from critics and its influence on heavy metal music is well-noted. In his retrospective review, Marcos Hassan of Tiny Mix Tapes called it "one of those great records where not a second is wasted".