Eric Andersen got his start as a singer/songwriter just about the time the folk revival went bust in the mid-'60s, when the phrase "singer/songwriter" wasn't familiar, as it is today. Now, some 40 years later, Andersen continues to follow his muse, which includes a deep investment in the blues on the live Blue Rain. Andersen's voice seems to have grown richer and has developed more texture over the span of time, something that rarely happens to rock singers; as a result, his readings of familiar lyrics carry more weight. He kicks off the set with a slow, menacing version of Fred Neil's "The Other Side of This Life." For folk fans, the song is overly familiar, but Andersen's vocal provides a darker underpinning than the usual, adding a new dimension to this well-worn classic.
What more can you ask for? Asleep at the Wheel playing on Austin City Limits running through a smoking program of rocking, strolling Western swing tunes – with special guests like Eldon Shamblin, Johnny Gimble, Leon Rausch, and Herb Remington no less. Asleep at the Wheel have performed on Austin City Limits numerous times – including the very first broadcast program back in 1976 – but this show, recorded gorgeously from 1992, is special. The bandmembers are so relaxed, open, and in the groove here that this stands out among their live recordings. It's true that the program is familiar, full of favorites and legendary swing tunes, though "Boot Scoot Boogie" by Brooks & Dunn's Ronnie Dunn is also here. Some of the standouts include "Roly Poly," "Corrine, Corrina," "Blues for Dixie," and the closing read of the Cindy Walker/Bob Wills tune "Sugar Moon."
The night was November 26, 1995; the club: Richard's on Richards in Vancouver; and the lineup with Duke Robillard comprised Marty Ballou on bass, Marty Richards on drums, and "Sax" Gordon Beadle on tenor and baritone sax. They were touring with Jimmy Witherspoon and this album captures the set before they brought "Spoon" to the stage. It was taped for the Canadian Broadcasting Corporation's "Saturday Night Blues" program with host Holger Petersen. Seven of the nine songs on Stretchin' Out also appear on 1996's Duke's Blues. That one is truly a gem, but for fans who don't have it yet, one might recommend this recording instead. "Too Hot to Handle" and "That's My Life" are the only tracks that aren't on Duke's Blues. Even if you do have Duke's Blues, Stretchin' Out is still well worth the purchase because of the great extended jams and shoot-from-the-hip guitar licks you won't find anywhere else. Robillard sings a few bars on Albert Collins' "Dyin' Flu" with no mic. You have to strain to hear him over the inevitable amplifier hums and crowd support of a live recording (one fan yells "Duke it out!"), but that's what makes it so cool and compelling.