Silence-Light is flamenco percussionist and composer Nacho Arimany’s debut album. The great creativy and power of Javier Vercher is present on saxophone and percussion atmospheres. Lionel Loueke is on amazing guitars from Africa and other galaxies; joined with his personal and unique voice. Pablo Suarez supports the melodies with the piano; the flamenco harmony going beyond his own gipsy soul. The great voice and talent of the flamenco gipsy singer Antonio Campos and the superb jazz bass sound of Massimo Biolcati, work in real tandem with flamenco dancer Concha Jareno, who gives new percussive melodies and feelings to the music. This fantastic group of musicians got together to record at Systems Two Studio in New York in the Spring of 2006. This work is a journey through different worlds and feelings. The real compromise with music as an experience to share in freedom.
Almost overnight, the success of Ottmar Liebert's groundbreaking 1990 debut Nouveau Flamenco catapulted Higher Octave Music into one of the industry's top indie labels and introduced the instrumental world to a fresh, exotic sound unlike any other…
Since 1977, when he won the Ramón Montoya Prize for Concert Guitar in Cordoba, at the age of only fifteen, he has had a serious, consequent performing activity. An exquisite musician, composing and concert performance are important facets of his work, at live performances and in his record catalogue, although he has not ceased to accompany cante, as he is convinced that "it is very important for the solo guitarist to know the cante, because that is what provides firmness when playing alone". Riqueni has performed extensively as a concert guitarist and has played with people such as Enrique Morente, Anouar Brahem, Al Di Meola, Matías Fray and the Vargas Blues Band. He is also a noted flamenco composer, similar to the style of Albéniz and Turina. His 1987 album simply entitled "Flamenco", was recorded live without any special effects or recording studio tricks.
On a stopover in Madrid during a six-month European tour in 1956, Lionel Hampton recorded what's possibly one of the strangest and most interesting albums in his discography. This album includes local castanets player named Maria Angelica. By featuring castanets, Hampton added a unexpected peppery flavor. In Angelica's hands, the castanets actually swings than just exotic percussion.
Recorded on June 30, 1956, Jazz Flamenco featured Hampton's full 17-piece band plus several unnamed Spanish percussionists. Hampton also recorded three tracks with a smaller, breakout group he dubbed the "Flamenco Five." The album showcases a wide range of beats I've Got a Brand New Baby, for example, is a roadhouse blues while Bop City Flamenco has an Afro-Cuban undertone, and Lovely Nights in Spain has much in common with Midnight Sun…
Convincing proof that success follows its own path, Govi's life is one of many twists. He is a German-born musician who traveled to India before settling down in California and becoming a leading proponent of the nouveau flamenco genre anchored by Ottmar Liebert, Johannes Linstead, and others. On ANDALUSIAN NIGHTS, Govi collaborates with two other German New Age stalwarts, Anugama and Karunesh, to come up with the arrangements. ANDALUSIAN NIGHTS opens with the warm atmospheres of "Persuasion," the low bass murmurs and hand drums offset by Govi's delicate finger picking. "Rumba Tumba" and the brisk title track build in intensity, adopting the rapid, flamenco-style clapping strongly associated with the Gipsy Kings' most danceable tunes.
Uno de los nombres destacados de la nueva generación de guitarristas flamencos, Santiago Lara, jerezano de 32 años, tiene ya prestigiosos premios como el de la Bienal de Sevilla y el 2º Premio Nacional de Arte Flamenco de Córdoba (2013). Productor, compositor y director musical, Santiago ha participado en las grabaciones del maestro Manolo Sanlúcar, así como en sus giras con orquesta. También es responsable de la música de la bailaora Mercedes Ruiz, a quien acompaña en sus giras mundiales. Como productor, además de sus primeros dos álbumes, Santiago ha realizado tres discos para cantaores de la nueva generación como son José Lara, Londro y David Lagos. Desde la vibrante versión de 'Minuano', que abre el álbum con la participación de Jorge Pardo o la vertiginosa 'James' con Antonio Serrano, emociona redescubrir un repertorio que ya abarca casi 40 años con un respeto y una creatividad que hacen honor al título.