Flo Menezes

Two Brazilian artists pay tribute to Villa-Lobos and the Amazon rainforest… Sebastião Salgado is a world-renowned photographer who has been working since the 1990s to protect and restore the Atlantic forest and water resources of the Rio Doce valley in Brazil. The Italian-Brazilian conductor Simone Menezes is passionate about the Brazilian composer Heitor Villa-Lobos and his symphonic poem Floresta do Amazonas, for which she created a suite for large orchestra and soprano. Together they travel the world to present an exhibition of Salgado's photographs, combined with concerts conducted by Simone in which the photographs are projected, the photographer having associated each musical phrase with one of his images… The music of this monumental project has been recorded with the Philharmonia Zürich and soprano Camila Provenzale. Ten photos by Salgado, each more striking than the last, are included in the booklet that accompanies this recording, which is completed by another tribute to Amazonian nature, by Philip Glass, with an extract from his Aguas da Amazonia.

The concept of metanoia – that, which goes beyond thought – most commonly describes a change in the way of seeing and thinking about things. With this recording, italo-brazilian conductor Simone Menezes and her chamber orchestra “K”, together with the choir “Sequenza 9.3”, go on a musical journey to find moments of metanoia in the lives and works of composers such as Giacomo Puccini, Arvo Pärt, Heitor Villa-Lobos, Alexander Borodin as well as Johann Sebastian Bach.

Pianist François-Xavier Poizat, accompanied by the Philharmonia Orchestra under the baton of Simone Menezes, gives us a taste of the influences of jazz, Mozart and Saint-Saëns featured in Ravel's Piano Concerto in G major, one of his last finished works.

K, a multicultural orchestra under the direction of the Italian-Brazilian conductor Simone Menezes, is bringing out its first album. Born out of the awareness that classical music was exported throughout the world and took on multiple influences in the last century, K’s project seeks to find the original accents of the works it performs. Their goal: to tell each story in its original language.

This album offers a new approach to the character of Scheherazade, with Rimsky-Korsakov’s musical masterpiece transcribed for the forces of Ensemble K and a previously unpublished text, freely adapted from the Thousand and One Nights and ancient love poems, which tells the story of Scheherazade. The Franco-Iranian actress Golshifteh Farahani plays Scheherazade, while Kristin Winters is her sister, Dinarzad: ‘For me, this story is a literary and historical treasure of humanity. But our collective imagination has seen Scheherazade as either a seductress or a submissive woman who told stories to survive. The greatness of this character goes far beyond that, and in fact represents the ancient figure of the “hero”, or rather the heroine!’, says Simone Menezes, who is artistic director of this project. For this second collaboration with Alpha Classics (after Amazônia, ALPHA990), she presents two versions of the programme, one with music and texts, the other with Rimsky-Korsakov’s music alone.

This album offers a new approach to the character of Scheherazade, with Rimsky-Korsakov’s musical masterpiece transcribed for the forces of Ensemble K and a previously unpublished text, freely adapted from the Thousand and One Nights and ancient love poems, which tells the story of Scheherazade. The Franco-Iranian actress Golshifteh Farahani plays Scheherazade, while Kristin Winters is her sister, Dinarzad: ‘For me, this story is a literary and historical treasure of humanity. But our collective imagination has seen Scheherazade as either a seductress or a submissive woman who told stories to survive. The greatness of this character goes far beyond that, and in fact represents the ancient figure of the “hero”, or rather the heroine!’, says Simone Menezes, who is artistic director of this project. For this second collaboration with Alpha Classics (after Amazônia, ALPHA990), she presents two versions of the programme, one with music and texts, the other with Rimsky-Korsakov’s music alone.