Float

Introspectives (1995). When grandmasters take over control, everything will be okay. In Aural Float, the masterminds behind Elektrolux, at this time, show it all. In cooperation with Pascal F.E.O.S, Alex Azary and Gabriel Le Mar have created a piece of vinylized ambience which documents their extended excursions to extraterrestrial sound-spaces. As "Introspectives", the title of the album already indicates, the heads behind Elektrolux demonstrate into which musical territories they will take their listeners in the future. And those territories promise to be far out…

Aural Float compiled the soundtracks for the german cult TV-series "Space Night", that has been broadcasted every night at TV-station BR.
The Orb, David Sylvian, Brian Eno & David Byrne, The Future Sound Of London, Anthony Rother, Move D. & Pete Namlook, Sounds From The Ground, Lemongrass, Jens Buchert and many more.
With it`s futuristic visuals Space Night pretty soon reached "cult status" among the young night watchers. A futuristic show that accompanied the afterwork and afterparty life of young people and electronic music fans. Coming home from the club at night and chilling to the sounds of the cult show, Aural Float created a bridge to chill out and come down. Space Night had certainly left its marks to a whole generation of electronic music enthusiasts.

You can often judge musicians by the company they keep. Float the Edge, the latest album from pianist-composer Angelica Sanchez, features her alongside two of the most sought-after rhythm-section musicians on the scene: veteran bassist Michael Formanek and rising-star Tyshawn Sorey, both acclaimed leader-composers in their own right. To be released via Clean Feed Records on March 25, 2017, Float the Edge sees this earthy, expansive trio perform Sanchez’s compositions, as well as several free improvisations. “A lot of what we do as a trio and what each of us does living a life in this music is take things to the edge, taking the risk to jump off without really knowing where you’re going to land,” the pianist says. “When it works, you feel like you’re floating it’s beautiful.”