In their 'Schubertiade', Julian Pregardien and his instrumental friends recreate the special artistic mood one could have felt in Schubert’s day in a Viennese salon. To evoke that atmosphere, they have created a new collage of musical and literary fragments associated with the composer, featuring the unusual combination of flute, baryton and guitar.
In the liner notes the band tells us the significance of the name KOLLEKTIV. We "share the same aims and values, not just with regard to music. We do not seperate into soloist and accompanist (rhythm slave). Each musician and each instrument has the same rights. Our pieces aren't individual compositions; they are born out of and grow through creative collaboration. After all, our name is saying : we are our own roadies, manager, technicians, bus driver, record producers and article writers, and three of us share the same birthday." Another important revelation in their liner notes is : "The structure of our music is more simple than usual jazz, instead we pay more attention to sounds and moods. We mainly do improvisations. Even the themes and arranged parts were once improvised."
Lisa Batiashvili presents a fine selection in chamber and orchestral music of popular, but also newly recorded Bach pieces. This includes the first ever recording of Bach’s famous aria “Erbarme Dich, mein Gott” in a transcription for violin, oboe and orchestra on Deutsche Grammophon. First ever recording of C. Ph. E. Bach’s Trio Sonata in b flat minor for violin, flute and BC on Deutsche Grammophon. For this Lisa teams up with the world’s famous flutist from Berliner Philharmoniker, Emmanuel Pahud. For one of the real hits on that CD, the double concerto for violin and oboe BWV 1060, Lisa collaborates with her husband, the oboist Francois Leleux. An interpretation from the heart!
Excellent addition to any prog rock music collection.
I always read terrible reviews about this album something with I don't agree, of course is not one of their masterpieces, but the quality of the music and the selection of songs is outstanding.
Though the jazz guitarist Kenny Burrell is associated mostly with Blue Note-based hard bop and soul-jazz (he had a hit with the funky "Chile con Carne"), he is also a musician of considerable artistry. Witness his landmark 1965 collaboration with Gil Evans, Guitar Forms, which rivals anything the arranger did with Miles Davis. Indeed, the track "Lotus Land" has a bolero form very reminiscent of Sketches of Spain.