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Choosing a Cross-Platform Development Tool eBooks & eLearning
Posted by Giorgio1 at Oct. 27, 2020
Choosing a Cross-Platform Development Tool
Video: .mp4 (1280x720, 30 fps(r)) | Audio: aac, 48000 Hz, 2ch | Size: 69 MB
Genre: eLearning Video | Duration: 40 mins | Language: English
Video: .mp4 (1280x720, 30 fps(r)) | Audio: aac, 48000 Hz, 2ch | Size: 69 MB
Genre: eLearning Video | Duration: 40 mins | Language: English
Looking for the right cross-platform mobile development tool for your project? With so many options to choose from—each with its own set of pros and cons—picking a tool can sometimes feel more challenging than learning the platform itself. This course was designed to help you make the right call—whether you're a CTO or a developer. Join instructor Tom Duffy as he reviews five of the most popular cross-platform development frameworks: Cordova, React Native, Xamarin, Flutter, and Progressive Web Apps. Tom delves into the tools and technologies used in each of the five solutions, highlighting where each framework shines.
Roger Norrington, The English Chamber Orchestra, Janet Baker - George Frideric Handel: Radamisto (2007) Music
Posted by ArlegZ at Oct. 13, 2023
Roger Norrington, The English Chamber Orchestra, Janet Baker - George Frideric Handel: Radamisto (2007)
EAC | FLAC | Image (Cue & Log) ~ 994 Mb | Total time: 75:54+79:03+79:44 | Scans included
Classical | Label: Ponte | # PO-1054 | Recorded: 1984
EAC | FLAC | Image (Cue & Log) ~ 994 Mb | Total time: 75:54+79:03+79:44 | Scans included
Classical | Label: Ponte | # PO-1054 | Recorded: 1984
The performance of Radamisto is notable for an array of vocal talent headed by Janet Baker. Every name is familiar and admired. The ECO was a vibrant presence in the Handel operatic and oratorio market at this time and Norrington at the helm ensures that period practices are helpfully integrated into the fabric of a modern instrument performance – recitatives for instance, once the bane of some 1960s and 70s performances, move fluidly and intelligently, highly responsive to textual meaning and dramatic implications. Note Act I’s Reina, infausto avviso when Tigrane and Polissena’s recitative embodies fine pacing, telling rubato, and appropriately coloured accompaniment. Some cuts though were clearly necessary to accommodate the length of the production.