McCoy Tyner's fourth studio album has a split personality, with three tracks featuring an intriguing sextet of all-stars, and the rest with his trusty trio, done eight months apart. Perhaps the tracks with bassist Jimmy Garrison and drummer Albert Heath were leftovers from a prior incomplete or aborted full session, but anything Tyner played in this period was precious. The larger ensemble recordings present trumpeter Thad Jones as ostensible co-leader, composer of one selection, and lead soloist. Tenor saxophonist John Gilmore and alto saxophonist Frank Strozier join forces with Thad Jones to make what some might deem an unlikely front-line triad, but effective enough considering their established individualism…
Double disc reissue collection of their three demo releases and their lone full length release "From Within" (1994). All 26 tracks have been remastered for this collection. This compilation features all new artwork, extensive liner notes, full lyrics, and enhanced live concert footage.
"Voci", the first album from 1976, is usually considered his best release, so that it was cited by "The Billboard Guide to Progressive Music" as one of the best-ever examples of classically-influenced progressive rock, comparing it to the work of such renowned bands as Focus and Curved Air…
On her seventh CD, blues-rocker Christine Santelli shows off her stylistic versatility with a varied program that includes a couple of excursions into country, a nod to New Orleans, a strange and carnivalesuqe number, and plenty of straight-up roots rock. The focus here is on her voice, which is interesting: at its best, it's a dark, smoky, and richly textured instrument, while at its worst it can be almost painfully scratchy and raw…..
BIS is proud to present the only available collection of the complete symphonies by Alfred Schnittke. The recordings, part of the Schnittke Edition begun in 1987, have been brought together in a 6-CD boxed set which also includes an initiated essay by Schnittke’s close associate Alexander Ivashkin: a fascinating chapter in the history of the late 20th-century symphony.