For God And Country

Blake Shelton's new album "Fully Loaded: God's Country" releases on 12/13/19! This album features four new songs including Blake's #1 hit, "God's Country", along with 9 of his previous hits.

Various Artists - Cold War Countdown: Country Music Goes To War 1952-1972 (2019) {OMNI - 199}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 288 Mb | MP3 @320 -> 174 Mb
Full Artwork @ 300 dpi (png) -> 52 Mb | 5% repair rar
© 1952-72, 2019 The Omni Recording Corporation | OMNI - 199
Country / Folk / Bluegrass / Gospel

From the people who brought you 'Hillbillies In Hell'. War, Patriotism, Pathos, Paranoia and Propaganda in the Country Music Experience. Vinyl Relics recovered from abandoned Fall-Out Shelters and excavated from beneath wastelands of Radioactive Rubble. Country Music Artefacts from the Cold War Era: Hyper-Patriotic Anthems, Delirious Cowpoke Agitprop Diatribes, Peacenik Protestations and Heartfelt Homefront Lamentations. Years in the making - 'Cold War Countdown' presents 28 tempestuous tirades of Red-Scare Pinko-Subversion, Iron Curtain-Clad Simian Freedom Fighters, Bearded Despots, Flower Power Fall-Out, the War Wizened, the Walking Wounded and Heart-Wrenching Fallen Heroes.

Craig Morgan's next album will be a mix of new songs, early hits and deep cuts from his Broken Bow Records catalog. The singer announced that God, Family, Country will be released on May 22, featuring five new songs.

This CD, issued under license from Vanguard by Italy's Universe label (on their Comet imprint), is one of the handsomest re-releases of its kind ever to turn up on CD. The sound is fine – and it's so hard to find an unworn copy of Ballad for Americans and Other American Ballads that anything would be welcome – but the producers have taken special care to re-create the original artwork and annotation in all of it thoroughness in a mini-LP-style gatefold CD package that's neat, handsome, and respectful of the original release, and will probably last for decades on shelves. As for the music, the CD showcases four sides of Odetta's work – her gifts in art-song and conceptual music in "Ballad for Americans," her solo folk and blues singing in the accompanying studio sides, her way with an audience in a live setting with the Carnegie Hall tracks, with her singing in a choral setting on the final four tracks of that LP. It all sounds great, and could arguably be a best of Odetta, even if it isn't an official anthology of that type. It's just sort of a shame – and an enigma – that it takes an Italian-based label to give these recordings their due respect in the 21st century.