Francis Lai Flac

Spring 2016 will be the 50th anniversary of the music for A Man and a Woman, Francis Lai's birth-certificate as a film-music composer. To commemorate the event, Play-Time is proud to present this 7CD boxed set entitled Francis Lai Anthology, a collection whose simple aim is to present the (very) original soundtracks composed by the great Lai, now carefully restored for the occasion. Each album in the set has its own concept: Lelouch-Belmondo for example, with the music from Itinerary of a Spoiled Child and Love is a Funny Thing, or Lelouch-Hallyday, notably for the electrifying score from L'Aventure, c'est l'aventure (Money Money Money), a pop tsunami that was never published after the film's release… until now. The set also includes the CD Double polars (from the films Body of my Enemy and The Crook), the iconic original score of Bilitis, here for the first time in its splendid unabbreviated version, and also a CD devoted to the productive association between Francis Lai and René Clément (with the music from their films And Hope to Die and The Baby sitter). Along the way, the contents reveal previously unreleased music and other rarities: the complete signature-tunes that Lai composed for FR3 Television; pieces written for short films (notably works directed by Claude Pinoteau); and an iconoclastic reading of Les Etoiles du Cinéma, specially recorded by the brilliant pianist and composer Jean-Michel Bernard in tribute to his master.

Quartet Records, Paramount Pictures and Universal Music Group present the remastered, expanded release of the iconic score by the great Francis Lai (A Man and A Woman, Life for Life, House of Cards, Dark Eyes, Bilitis) for the unforgettable 1970 romantic classic Love Story, directed by Arthur Hiller and starring Ryan O’Neal, Ali McGraw, Ray Milland and John Marley. The film was nominated for six Academy Awards, including Best Picture, Director, Screenplay and O’Neal and McGraw’s performances, but won only in the Best Original Score category (the only Oscar ever won by the prolific French composer). The choice of Francis Lai was a personal obsession of producer Robert Evans, who pursued the composer until he accepted, despite Lai initially refusing to compose the score due to other commitments. But Evans’ intuition was spot-on. Today, Lai’s Love Story score remains one of the most memorable and richly lyrical works in the canon of romantic film scores. The main theme remains one of the most famous melodies in film history, covered countess times—including an especially memorable arrangement by Henry Mancini for RCA.

Du soleil plein les yeux is a sentimental comedy directed by Michel Boisrond in 1969.Best remembered for his Oscar-winning scores to A Man and a Woman and Love Story, composer Francis Lai was born April 26, 1932, in Nice, France.

Les Uns et les Autres is a 1981 French film by Claude Lelouch. The film is a musical epic and it is widely considered as the director's best work, along with Un Homme et une Femme. It won the Technical Grand Prize at the 1984 Cannes Film Festival.

Quartet Records and FGL Productions present the premiere complete edition of two western scores by classic French composer Francis Lai (A Man and a Woman, Love Story, The Bobo, Le Baby-sitter, Bilitis), one of the greatest creators of melodies in film music history.

Polydor France has released a soundtrack album for Claude Lelouch’s drama The Best Years of a Life (Les plus belles années d’une vie). The album features the film’s original music composed by Academy Award winner Francis Lai (Love Story, Bolero) and French singer/songwriter Calogero. The project marks the final film scoring project of Lai who passed away last November. Also included is the original title song by Calogero & Nicole Croisille.

Transversales Disques proudly presents PANORAMA, an excursion through rare French soundtracks & other rarities mostly never reissued or compiled. 11 forgotten nuggets recorded between 1969 and 1980 by famous masters like Francis Lai, Alain Goraguer and Michel Magne alongside underrated composers like Jean Schwarz, Christian Gaubert or Maurice Lecoeur. A cinematic journey overflowing with moody strings arrangements, funky drum breaks, typical French basslines and psyched atmospheres.

The French know and love their movies like no one else in Europe, so it's no surprise that they've produced a few top-notch film composers over the years. The folks at Crippled Dick Hot Wax, the German label that has unearthed all manner of offbeat film music, pay homage to a little-acknowledged side of French movie scoring with Shake Sauvage, a disc featuring cues from 15 different Gallic films released between 1968 and 1973 (with a bit of funky library stock music and one retro-styled cut from the '80s rounding out the track listing). On Shake Sauvage, the focus is on French music that seemingly channels hipper American sounds of the day, from the cool jazz-funk of Claude Bolling's "Full Speed" and the naïve neo-psychedelia of Roland Vincent's "LSD Party" (complete with some of the least fluid wah-wah guitar ever recorded) to the ominous spy movie sounds of George Garvarentz's "Les Temps des Loups," and the lush, seductive organ groove of Jean-Pierre Mirouze's "Sexopolis." Actually, lush organ is one of the dominant themes of this disc (Brian Auger appears on several tracks) along with a pervasive fondness for American pop music filtered through the lens of classic-era European cool.

Bleu, Blanc, Schnock : Vieilles canailles ou jeunes branchés, on a tous un peu de Schnock en nous !
Bleu, Blanc, Schnock, c'est le meilleur de la pop française des années 70 et 80 sur OÜI FM ! Tous les samedis de 18h à 19h avec Alister & Mathieu Alterman de la célèbre revue Schnock ! Morceaux inédits, trésors cachés, pépites oubliées, titres insolites, historiques, mythiques ou décalés ! C'est du bonheur. L'émission est rediffusée le dimanche à 14h