Official Release # 72. While no specific designation has been given to Joe's Corsage (2004), the liner notes indicate that this is the debut of an "exciting new series." The title is undoubtedly a clever play on Frank Zappa's Joe's Garage (1979), but the "Joe" in this case is audio archivist Joe Travers, who has been involved with the Zappa Family Trust (ZFT) since the triple-CD release Läther (1996). Granted, exceptions exist, however for the most part the earliest incarnations of the Mothers of Invention are included here with Zappa (guitar/vocals), "Baby" Ray Collins (vocals/tambourine/harmonica), Roy Estrada (bass), and Jimmy Black (drums).
Sleep Dirt was never conceived as a stand-alone album. Five of its seven tracks were suppose to appear on the ill-fated 1976 box set Läther; three had been recorded for Zoot Allures but were shelved after Zappa decided to trim it down from a double to a single LP; finally, three had been written as part of the abandoned musical Hunchentoot. Zappa pieced the album together from these various discarded parts. "The Ocean Is the Ultimate Solution" (one of the leftovers from Zoot Allures) is now considered to be one of his finest instrumental rock pieces.
Frank Vincent Zappa was an American musician, composer, activist and filmmaker. His work was characterized by nonconformity, free-form improvisation, sound experiments, musical virtuosity, and satire of American culture. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works, and produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist…
For longtime fans and un-Zapped neophytes alike, Does Humor Belong in Music? presents the late, great Frank Zappa at his mischievous best. Unlike the infamously rambling Baby Snakes, this hour-long, digitally remastered 14-song set (culled from FZ's performance at the Pier in New York City on August 26, 1984) is 95% music, punctuated with brief interview clips (including the inane titular question, and Frank's expectedly affirmative response), and featuring one of the tightest bands that Zappa ever assembled. Everybody participates in Zappa's unique parade of musical fusion, street theater, and defiant anti-establishment sarcasm, with Zappa playing masterful conductor when he's not riffing with nimble-fingered fretwork (notably during "Zoot Allures," "Cosmik Debris," and Greg Allman's "Whipping Post," the set's only cover song).
For longtime fans and un-Zapped neophytes alike, Does Humor Belong in Music? presents the late, great Frank Zappa at his mischievous best. Unlike the infamously rambling Baby Snakes, this hour-long, digitally remastered 14-song set (culled from FZ's performance at the Pier in New York City on August 26, 1984) is 95% music, punctuated with brief interview clips (including the inane titular question, and Frank's expectedly affirmative response), and featuring one of the tightest bands that Zappa ever assembled. Everybody participates in Zappa's unique parade of musical fusion, street theater, and defiant anti-establishment sarcasm, with Zappa playing masterful conductor when he's not riffing with nimble-fingered fretwork (notably during "Zoot Allures," "Cosmik Debris," and Greg Allman's "Whipping Post," the set's only cover song).
DOES HUMOR BELONG IN MUSIC? was digitally recorded live with no overdubs on a 1984 tour. It is not the soundtrack to the video of the same name. Although it has some of the same songs, they are different versions.
Who better than Frank Zappa to ask the question DOES HUMOR BELONG IN MUSIC? Recorded on his 1984 world tour, this disc is a wonderful documentation of one of Zappa's best (and smallest) '80s bands. Long-time Zappa guitarist/vocalists Ike Willis and Ray White, keyboardists Alan Zavod and Bobby Martin, bassist Scott Thunes and drummer Chad Wackerman form an incredibly agile ensemble under the strict baton of their leader. Zappa himself turns in many stunning guitar solos in the midst of continuous shenanigans.
Of all the Zappa live albums out there (and there’s a lot, so we have to be careful what we say), the double album rendering of his December 1976 New York shows has always occupied a prominent position in the fan club’s “best of” ratings. There are misgivings, of course. The omission of the showstopping “Punky’s Whips”; the mass of edits and rearrangements that went into the final running order; the fact that close to two years elapsed between concert and LP…. But, if you stopped worrying about what could have been, and focus simply on what you got, it was a fabulous album.
Frank Zappa’s fall 1975 touring schedule brought him to two cities in Yugoslavia, marking the first and only time he played shows in that country. This 2 CD set combines performances from both shows, recorded live in Zagreb on November 21st and Ljubljana on November 22nd, 1975. This release showcases a rare band line-up of The Mothers, featuring Norma Bell on saxes and vocals. FZ would discontinue using The Mothers name for good after the European and Australian leg in early 1976. Re-mixed from the original 1/2” 8-track tape masters by Craig Parker Adams and mastered by John Polito, this historical set is the only multi-tracked document of this group in the Vault.
One of three collections from the 1988 world tour, THE BEST BAND YOU NEVER HEARD IN YOUR LIFE is a portrait of one of Zappa's most accomplished bands. Unfortunately, this band self-destructed in mid-tour and never completed their scheduled appearances. … Full DescriptionHence, the title stands for the fans that couldn't see this amazing group live. The vocals of Ike Willis and Mike Keneally, the rhythmic acrobatics of Chad Wakerman, Ed Mann and Scott Thunes, the powerful horn section including the Fowler brothers, keyboardist/vocalist Bobby Martin–it all adds up to one of the most musically agile bands Zappa ever commanded.
There are the usual Zappa favorites on disc one with "Cosmic Debris" and "Zomby Woof." The band also gets to flex its muscles on the instrumentals "Zoot Allures" and "Sofa #1." Disc two captures all the zany behavior that could be preserved on tape as bizarre covers of "Purple Haze" and "Sunshine Of Your Love" start things off. Snippets of "When Irish Eyes Are Smiling," "The Godfather Theme" and "Bonanza" escalate into a diatribe by right-wing character Brother A. West and several songs denouncing televangelist Jimmy Swaggart. The finale of "Stairway To Heaven" ties everything back together in grand Zappa style.
Official Release #54. Most of You Can't Do That on Stage Anymore, Vol. 3 is devoted the 1984 band which, at the time of this set's release, had not been properly documented (the live Does Humor Belong in Music? was made commercially available in the U.S. in 1995 only). Most of the material comes from late-'70s/early-'80s albums like Sheik Yerbouti, Joe's Garage, and You Are What You Is. Disc one is 1984 only (excerpt for a few edits in "Drowning Witch") and lacks interest.