Frankenstein Created Woman Soundtrack

THE MATRIX - MUSIC FROM THE MOTION PICTURE is a compilation soundtrack released by Maverick Records which features most of main source cues from the film. Unfortunately the soundtrack is launched by one of the more unlistenable tracks, "Rock is Dead" by Marylin Manson. Joining this track in the not-so-hot-list would be "Bad Blood" (3) by Ministry, "Look to Your Orb for the Warning" by Monster Magnet, "My Own Personal Summer (Shove It)" by the Deftones and "Du Hast" (12) by Rammstein which tend towards the rock-roots as Manson…albeit Rammestein's track is infused with a techno-dance rhythm. While helping to keep the sound of The Matrix edgy, these tracks are rugged, but not so "cool." Oddly enough none of these songs are used in any significant scenes of the film, if at all. Following the Rage Against the Machine's unmistakable sound in "Wake Up" (13), "Rock is Dead" does manage to make its way to play over the end credits.

Craig Armstrong, who has worked with everyone from Baz Luhrmann to the London Sinfonietta to Massive Attack, has provided an orchestral and electronic-based score that is both lush and gorgeously spare. It’s an evocative accompaniment to the sleek neo-noir thriller starring Claes Bang, Elizabeth Debicki, Donald Sutherland and Mick Jagger.Charming and ambitious art critic, James Figueras (Claes Bang), has fallen from grace. He spends his days in Milan lecturing witless tourists about art history. His only glimmer of hope is a newfound love interest, the enigmatic American, Berenice Hollis (Elizabeth Debicki).

Bob Dylan is a master of self-mythologising. Decades ago he created his image as a brilliant enigma, which has made him an ideal canvas on which film-makers have projected their own interpretations. Todd Haynes's I'm Not There (2007) created six fictional variations, Martin Scorsese playfully danced around Dylan in Rolling Thunder Revue (1975), a mock-documentary about his tour of the same name, and the Coen brothers created a musician resembling Dylan (loosely based on his contemporary Dave Van Ronk) in Inside Llewyn Davis (2013). All those films are more resonant and creative than the much-anticipated A Complete Unknown, in which Timothée Chalamet plays Dylan from his arrival in Greenwich Village in 1961, on to fame and then his culture-rattling turn from acoustic folk-inspired music to electric instruments in 1965.

From director Peter Weir (Dead Poet's Society), comes this crime drama about an boy who witnesses a murder and the cop, played by Harrison Ford, who will stop at nothing to protect the boy. Creating the Oscar nominated music was Maurice Jarre who had previously worked with Weir on The Year Of Living Dangerously. For Witness Jarre created one of his most fascinating and iconic synth heavy scores.

Back to the Outback is a 2021 computer-animated adventure comedy film directed by Clare Knight and Harry Cripps, from a screenplay written by Cripps, and a story by Gregory Lessans and Cripps.

Merry Christmas, Mr. Lawrence: Soundtrack from the Original Motion Picture is a soundtrack album for the 1983 film. All compositions on the album are by Sakamoto except "23rd Psalm", which is a traditional piece, and both "Ride, Ride, Ride" tracks, by Stephen McCurdy. In addition, David Sylvian contributed lyrics and vocals on "Forbidden Colours".

Bob Dylan is a master of self-mythologising. Decades ago he created his image as a brilliant enigma, which has made him an ideal canvas on which film-makers have projected their own interpretations. Todd Haynes's I'm Not There (2007) created six fictional variations, Martin Scorsese playfully danced around Dylan in Rolling Thunder Revue (1975), a mock-documentary about his tour of the same name, and the Coen brothers created a musician resembling Dylan (loosely based on his contemporary Dave Van Ronk) in Inside Llewyn Davis (2013). All those films are more resonant and creative than the much-anticipated A Complete Unknown, in which Timothée Chalamet plays Dylan from his arrival in Greenwich Village in 1961, on to fame and then his culture-rattling turn from acoustic folk-inspired music to electric instruments in 1965.

Cat People is a 1982 American erotic horror film directed by Paul Schrader. It stars Nastassja Kinski and Malcolm McDowell; John Heard, Annette O'Toole, Ruby Dee, Ed Begley Jr., Scott Paulin, and Frankie Faison play supporting roles. Wilbur Stark and Jerry Bruckheimer served as executive producers. Alan Ormsby wrote the screenplay, basing it loosely on the story by DeWitt Bodeen, the screenwriter for the original Cat People (1942). Giorgio Moroder composed the film's score, including the theme song, which features lyrics and vocals by David Bowie.