Fraternity

Progrock.com’s Essentials is proud to present Planetary Overload, Part 2 – Hope, the brand-new studio album from environmentally-conscious progressive rock supergroup United Progressive Fraternity!

"Fall In Love With The World" is the debut album by United Progressive Fraternity. Formed from the ashes of respected Australian progressive rockers Unitopia, the band sees Matt Williams, Dave Hopgood, Tim Irrgang & Mark 'Truey' Trueack joined by Guy Manning (Manning, The The Tangent), Daniel Mash (Maschine, The Tangent), & Marek Arnold. The album also features guest appearances from Jon Anderson of Yes, as well as Steve Hackett of Genesis.

In rock music, rare are the occasions when a band offers thoughtful lyrics or a message to go along with their music. In the case of United Progressive Fraternity (UPF), they have created music to go along with their message…

Mouse and the Traps - The Fraternity Years (1997) {Big Beat Records ‎CDWIKD171 rec 1965-1968}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 209 Mb | MP3 @320 -> 137 Mb
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© 1965-68, 1997 Big Beat Records / Ace Records | ‎CDWIKD 171
Rock / Psychedelic Rock / Garage Rock / Folk Rock

There are some who say that this early 1966 masterpiece does Dylan's 'Highway 61' period better than the master himself, said Lenny Kaye of "A Public Execution" in the liner notes to the epochal Nuggets compilation album from 1972. In the small but fiercely contested kingdom of Dylan imitators Texas' Mouse & The Traps stand tallest due to Execution. It was only a medium-sized hit in the United States back in the 1960s but has become renowned the World over in the years since, as one of the best records of its kind. In truth, while Ronnie 'Mouse' Weiss and his gang of Texas buddies would never deny the influence of Dylan's classic folk-rock, A Public Execution - shaped into a Dylan cop more by the studio machinations of producer Robin Hood Brians than anything else - was merely one facet of a band that could cover all the bases.

Complete Sessions 1971-72 gathers together all of Fraternity's recordings, most of which feature Bon Scott, who would later gain fame as the lead singer of AC/DC. Fans of that hard-rocking group will be disappointed if looking to find kindred spirits here though, as Fraternity was a hippie band inspired by rock of the prog, country, and boogie variety. And while Scott's vocal is unmistakable, there is a vibrato present that was ultimately shaved off for the stripped-down AC/DC. Oftentimes Fraternity sounds like a group unable to decide if they wanted to be the next Procol Harum or Australia's version of the Band, resulting in an unusual hybrid of prog rock and country-rock. They would also delve into the blues on occasion, which is when the closest comparisons to AC/DC can be made…

In the 1950s, Herbie Mann frequently shared the spotlight on record dates with other flutists. This V.S.O.P. LP, a reissue of a set originally for Mode and also out for awhile on Premier, matches Mann (who here also plays piccolo, clarinet and tenor) with Buddy Collette (switching between flute, clarinet, tenor and alto) in a quintet with pianist Jimmy Rowles, bassist Buddy Clark and drummer Mel Lewis. The results are generally pleasing, if somewhat lightweight, with such obscure tunes as "Here's Buddy," Rowles' "Pop Melody," "Here's Pete" and Mann's "Theme from 'Theme From'" alternating with three standards and Chico Hamilton's "Morning After." The most interesting aspect to this lightly swinging music is the constant switching around of the lead voices on their various horns.