Frederic c Wagner

Various Artists - 101 Film Classics (2016) {6CD Box Set Decca 478 3676 rel 2012}
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© 2012, 2016 Decca Music | 478 3676
Classical / Film Score

For many their first encounter with classical music will be through its use in films and this collection makes a fantastic entry point to this rich and diverse world. Helpfully all tracks list the films alongside the music, so there will be no doubt as to where the music is familiar from. Classical music has been used to memorable effect in films many times from Ride of the Valkyries in Apocalypse Now to Barber s Adagio in Platoon and from Also sprach Zarathustra in 2001: A Space Odyssey to Beethoven s Ninth in A Clockwork Orange. Occasionally, as in the case of Mozart s Piano Concerto No.21 used in Elvira Madigan, the film title has provided a lasting nickname for the music. All these favourites are included here.

Few record labels can boast as glorious a legacy as Sony Classical. This lavish four-disc set chronicles the finest performances available on the label from the past ninety-five years. Eighty selections comprising over four hours of music are accompanied by two lavishly illustrated booklets highlighting Sony Classical's stellar history.

Celebrated for his pivotal role in resurrecting the Bach suites for solo cello and championing their performance throughout his career, Pablo Casals' repertoire was much more far-reaching. Perhaps the best way to observe the breadth of his interests is to investigate the works he chose to perform as encores. Flashy, virtuosic show pieces certainly had their place in this repertoire, but Casals looked more favorable upon works that highlighted the more lyrical, soulful aspects of his instrument.

A Voyage Through Classical Music - a collection for lovers of classical music. Excellent selection of orchestral, chamber and other music, including songs with piano, strings, brass and other instruments.

On October 6, 1953, RCA held experimental stereophonic sessions in New York's Manhattan Center with Leopold Stokowski conducting a group of New York musicians in performances of Enesco's Roumanian Rhapsody No. 1 and the waltz from Tchaikovsky's opera Eugene Onegin. There were additional stereo tests in December, again in the Manhattan Center, this time with Pierre Monteux conducting members of the Boston Symphony Orchestra. In February 1954, RCA made its first commercial stereophonic recordings, taping the Boston Symphony Orchestra, conducted by Charles Münch, in a performance of The Damnation of Faust by Hector Berlioz.

On October 6, 1953, RCA held experimental stereophonic sessions in New York's Manhattan Center with Leopold Stokowski conducting a group of New York musicians in performances of Enesco's Roumanian Rhapsody No. 1 and the waltz from Tchaikovsky's opera Eugene Onegin. There were additional stereo tests in December, again in the Manhattan Center, this time with Pierre Monteux conducting members of the Boston Symphony Orchestra. In February 1954, RCA made its first commercial stereophonic recordings, taping the Boston Symphony Orchestra, conducted by Charles Münch, in a performance of The Damnation of Faust by Hector Berlioz.

On October 6, 1953, RCA held experimental stereophonic sessions in New York's Manhattan Center with Leopold Stokowski conducting a group of New York musicians in performances of Enesco's Roumanian Rhapsody No. 1 and the waltz from Tchaikovsky's opera Eugene Onegin. There were additional stereo tests in December, again in the Manhattan Center, this time with Pierre Monteux conducting members of the Boston Symphony Orchestra. In February 1954, RCA made its first commercial stereophonic recordings, taping the Boston Symphony Orchestra, conducted by Charles Münch, in a performance of The Damnation of Faust by Hector Berlioz.