Franz Liszt and Olivier Messiaen don't usually spring to mind as similar figures, let alone as an expected pairing for an album, since the former was the arch-Romantic virtuoso pianist and tone poet, while the latter was an influential modernist composer and organist. Yet both men were devout Roman Catholic musicians with mystical ideas that found expression in their works. To be sure, this disc by pianist Fredrik Ullén illustrates the differences between them by presenting their solo piano pieces in alternation, so the listener is never lulled by one style or the other but stays attentive throughout the program.
Debut solo album from Wobbler’s Lars Fredrik Frøislie! Fitting perfectly into the 70s prog-rock tradition where the keyboardist makes a solo album between the band albums, this is music Frøislie has been doing, mostly alone, during the pandemic. Had it not been for the pandemic, much of the material would probably have ended up on a new Wobbler album - but then run through the Wobbler grinder and with English lyrics. In other words, this is unpeeled and raw, as spontaneous as possible without going through too many rounds of processing. Trying to preserve the impulsive - much of what you hear is improvised, and one-takes (preferably with playing errors and piano strings that break and the like). Trying to preserve the human aspect to a large extent, avoiding click tracks, auto-tune, MIDI or too much technology. Expect lots of old analogue keyboards such as cembalo, Mellotron, MiniMoog, Yamaha CP70 and Hammond organ.