A rare 1960 appearance by the Miles Davis quintet in England! Featuring Sonny Stitt, Wynton Kelly, Paul Chambers & Jimmy Cobb. Includes the concert at the Free Trade Hall, Manchester, on September 27, 1960 in its integrity As a bonus, this pack presents a rare complete concert by the following Miles Davis Quintet featuring George Coleman, Herbie Hancock, Ron Carter & Tony Williams, recorded live at "Jazz Villa", Saint Louis, on May 29, 1963. Includes booklet with comprehensive liner notes.
This obscure mid-'60s record by Milt Jackson has few surprises, though many jazz fans would be suspicious that the theme from the movie Born Free would turn into a viable jazz vehicle. Jackson's funky treatment of this normally laid-back piece works very well. Jimmy Heath, who plays great tenor sax on several tracks, contributed the funky original "Bring It Home (To Me)" as well as "A Time and a Place," which became one of his better-known compositions. Less successful is his chart of Jackson's somewhat monotonous "Whalepool." Pianist Cedar Walton, a favorite collaborator of the vibraphonist, is the centerpiece of their rendition of Miles Davis' landmark modal tune "So What." Long out of print, this Limelight LP has been reissued in Japan, but this recommended album will be expensive to acquire in either version
Here it is: eight CDs worth of John Coltrane's classic quartet, comprised of bassist Jimmy Garrison, pianist McCoy Tyner, and drummer Elvin Jones, recorded between December of 1961 and September of 1965 when the artist followed his restless vision and expanded the band before assembling an entirely new one before his death. What transpired over the course of the eight albums and supplementary material used elsewhere is nothing short of a complete transfiguration of one band into another one, from a band that followed the leader into places unknown to one that inspired him and pushed him further. All of this transpired in the span of only three years.
With their big riffs and bluesy melodies, Free virtually defined hard rock in the early '70s, and Molten Gold: The Anthology shows that this wasn't such a meager achievement. Throughout the two discs, it becomes clear that the key to Free's rock & roll was their rhythm section, which powered their riffs to perfection. This is the definitive Free, two discs of pure hard rock.
Long-established as a hugely popular radio format, the Classic Rock sound was established – though not codified and canonised until some while later – in the Seventies, when numerous British bands from a pop or blues-based background pioneered a muscular, riff-based sound that dominated American FM airwaves and led the most successful practitioners to fame, fortune and all manner of related excess.
This album, recorded the same two days as Man Here Plays Fine Piano, is the equal of its companion. Five pieces are taken as piano solos by Don Ewell (including Jelly Roll Morton's "Chicago Breakdown" and "Just You, Just Me"), "Blue Turning Grey over You" has Ewell joined by drummer Minor Hall and the remaining five numbers are quartet explorations by Ewell, Hall, bassist Pops Foster and the fine New Orleans-style clarinetist Darnell Howard; of the latter tunes "Wolverine Blues" and "Blues My Naughty Sweetie Gives to Me" are most memorable.
Avid Jazz continues with its Four Classic album series with a re-mastered 2CD Second Set release from Hank Mobley, complete with original artwork and liner notes. “Peckin’ Time”; “Soul Station”; “Roll Call!” and “Workout”.
For our Second Set from Hank Mobley we have chosen four albums from the heart of his classic Blue Note period from the late 1950’s to the early 1960’s. On these fine albums, which include what many consider to be his best albums “Roll Call” and “Workout” you will hear Mobley alongside some of the greatest jazz musicians of the era, many of whom have their own classic Blue Note catalogue’s to enjoy. Step forward Lee Morgan, Paul Chambers, Art Blakey, Wynton Kelly, Freddie Hubbard, Grant Green and “Philly” Joe Jones…