French Harpsichord Music

Deutsche Grammophon and Decca have announced the release of the largest and most complete box set ever devoted to the work of a single composer with Bach 333 – a 222 CD box set – which is released worldwide on 26 October in two language versions, English and German. The flagship Edition is accompanied by a 2CD entry level product, Peaceful Bach, and a suite of 13 digital products including all aimed at achieving the widest possible awareness and engagement. Listen to new recordings of rare harpsichord works by Justin Taylor.

Anyone who has ever worked in any aspect of classical music retailing has been asked the question "Did Pachelbel write anything else besides the Canon?" The answer is yes, and some of it is just as pleasing to the general listener as the Canon in D major, originally for three violins and continuo. Finding recordings of these works has been the tough part, but with growing interest in German music of the late seventeenth century, more choices are beginning to appear. This release by German audiophile label MDG is somewhat geeky in looks, but anyone who's ever wanted a Pachelbel disc should check it out. Not least for the sound; MDG has devoted itself mostly to chamber music, but the results the engineers obtain from the organ at St. Peter's church in the German city of Freiberg are really startling.

The harpsichord music of Claude-Bénigne Balbastre may be considered the final flowering of the late Baroque in France. Celebrated across Europe as a virtuoso harpsichordist and organist, Balbastre enjoyed the support of the royal court of Louis XVI and Marie Antoinette (who was also his harpsichord student), and he even survived the French Revolution on the strength of his musicianship. Influenced by the innovative keyboard suites of François Couperin and Jean-Philippe Rameau, his mentor, Balbastre composed suites of character pieces, in contrast to the late-17th century preference for collections of dances.

Christophe Rousset in his two-CD set confines himself to the three principal collections of 1706, 1724 and c. 1728 additionally including La Dauphine (1747) and the charming but slight Les petits marteaux de M Rameau. This last-mentioned piece was until recently thought to be by Rameau's one-time pupil and champion, Balbastre.

This manuscript, from Christophe Rousset's private collection, was discovered by him in 2004. Dedicated to a Madame de Théobon, it contains not only the essential French harpsichord pieces of the late seventeenth century, but also many transcriptions of compositions by Lully and several hitherto completely unknown preludes. Providing precious insight into the art of the harpsichordist and the musical practices of that time, these pieces are recorded here for the first time. With it's powerful but still austere sound, the Nicolas Dumont harpsichord of 1704 does them full justice.

acques‐Martin Hotteterre was a virtuoso recorder player at the court of Louis XIV the Sun King, in the distinguished position of Musicien de la Chambre du Roi. He was a famous composer as well, mainly for his own instrument, for which he wrote numerous works, in which he integrated Italian elements, such as instrumental brilliance and prevalence for longer melodic lines, in the courtly French style of dance forms and lavish ornamentation.