French Organ

All the works on this CD are from the French Romantic organ repertoire. They have all enjoyed great popularity and bear the typical characteristics of French Romantic organ writing; melodic elegance, colourful harmonies and compositional clarity. Ben van Oosten performs on the Jann Organ of St. Martin, Dudelange, Luxembourg.

The French word ‘noël’ is closely associated with the organ, and this new recording from the Breton organist Christian Lambour introduces the listener to works from the 17th to the 20th century. Noëls provided organists with the opportunity to introduce variations on popular tunes, often making use of Christmas carols and shepherd songs. The evocative sound of these traditional melodies – sung around the fire during advent – are assured to get you in l’esprit de Noël!

When the very young Marie-Claire Alain recorded for Erato for the second time, in late winter of 1955, she did not necessarily suspect that she was participating in a long discographic odyssey. The organist would become one of the emblematic personalities of the Erato catalogue, working with the French firm up until the early 1990s. On 27 February 1955, in the church of Sainte-Clotilde in Paris’s 7th arrondissement, she began a series of recordings devoted to French composers of the late 19th and early 20th centuries. She initiallly elaborated a brief programme of famous toccatas: Gigout, Widor and Boëllmann. Brisk tempos, nimble articulations, a wide variety of colours: Marie-Claire Alain charmed with her vivacious spirit – the famous piece by Widor (finale of the Fifth Symphony) is of noteworthy elegance. These youthful accounts already reveal all of Marie-Claire Alain’s affinities with this repertoire with which she has not always been associated and of which, in truth, she promotes a fleet, airy, supple vision. However, it was a few weeks later, around 13 March 1955, that Erato offered the young French organist, fully concentrated at the time on Buxtehude’s music, her greatest joy: she could defend ‘in studio’ the works of her elder brother, Jehan Alain. It is a veritable godsend to rediscover these youthful documents, keen and always pertinent, by Marie-Claire Alain, recorded in the church of Saint-Merri a little more than a year after her very first recording for Erato devoted to J. S. Bach.

Recorded between 1972 and 1976, The Golden Age of French Organ Music is one of the most comprehensive anthologies ever dedicated to the instrument. On it Andre Isoir surveys music of the seventeenth and eighteenth centuries, a period in which the French organ school matured in the service of the Roman Catholic Church.

In this extensive 50-disc set, Brilliant Classics presents 500 years of organ music. The pieces presented here offer a survey of diversity, value, and historical importance. The first portion of the set is devoted to pieces from the early period. Groundbreaking organ composers such as Cavazzoni and De Macque, who developed the capriccio and canzon forms and composed complex counterparts to the periods vocal music, are featured here. The Baroque and Classical eras are represented in this set by the likes of powerhouse composers Mozart, J.S. Bach, C.P.E. Bach, Handel, Telemann, and Haydn.