Frequency

Siemens Digital Industries Software announces the latest version, 2019.2, of Simcenter 3D software, with major enhancements for low- and high-frequency electromagnetic solutions to help accelerate electromagnetics simulation processes.

Siemens Digital Industries Software announces the latest version, 2019.2, of Simcenter 3D software, with major enhancements for low- and high-frequency electromagnetic solutions to help accelerate electromagnetics simulation processes.

The Siemens Digital Industries Software development team is pleased to announce the availability of Simcenter 3D Low Frequency Electromagnetics 2020.1. This release offer new and improved Multidiscipline Integrations and Faster CAE Processes, which are just two of Simcenter 3D’s differentiating strengths.

Orbital Frequency' is perfect if deep sonic explorations and shuffling hyperdriven beats is your thing. 'Orbital Frequency' is an interplanetary collision of musical styles that fuses melodic Future Garage, half step DnB and deep melodic Dubstep and places a masterful set of production tools right at your fingertips.

Frequency Arps is a collection of 600 ACID compatible loops, designed for dropping into existing tracks to give an electronic edge. The sounds range from harsh electronic phrases to deep bass tones through to delicate atmospheric phrases, with a bit of everything in between. They are suitable for any type of music which is bpm based, and most useful as a library of arps\sequences for dropping an instant electronic feel into any project. All the loops on this sample cd range between 70 - 120bpm. all with ACID friendly loop points and the REX files can be used in any compatible application such as Reason or Cubase SX. The library is produced by Astral Pedestrian, creator of Organic Breakbeats and Elemental Guitar Loops.

Antares Sybil Evo Variable Frequency De-Esser 3.0.2 - Intel A | Mac OS X | 10 MB

SYBIL Evo tames vocal sibilance with threshold, ratio, attack and decay controls as well as a variable sidechain high pass frequency to match any vocal performance. 

The AVOX Evo bundle, which represents a greater than 50% savings over the MSRPs of the individual plug-ins, is available at your local Antares dealer in versions for RTAS (Mac OS X and PC), VST (Mac OS X and PC), and Audio Units.

Combining subtle, futuristic textures with warmly atmospheric pads, this library, FULL FREQUENCY is perfect for creating film scores, and contains a wealth of sounds capable of adding a haunting, mellow ambience to just about any kind of music. References here include Labradford, Vangelis, and Fripp/Eno.

ClipShifter is a clipping-style limiter that provides enough user controls to be useful in all mixing stages. ClipShifter uses a unique threshold control to change the clipping threshold dynamically based on the transient characteristics of the incoming audio. The sonic characteristics of the clipping distortion can be altered from hard, brickwall-style clipping, to softer saturation with compression. Additional parameters allow the user to control the even- and odd-order components of the saturation.

ClipShifter is a clipping-style limiter that provides enough user controls to be useful in all mixing stages. ClipShifter uses a unique threshold control to change the clipping threshold dynamically based on the transient characteristics of the incoming audio. The sonic characteristics of the clipping distortion can be altered from hard, brickwall-style clipping, to softer saturation with compression. Additional parameters allow the user to control the even- and odd-order components of the saturation.

ClipShifter is a clipping-style limiter that provides enough user controls to be useful in all mixing stages. ClipShifter uses a unique threshold control to change the clipping threshold dynamically based on the transient characteristics of the incoming audio. The sonic characteristics of the clipping distortion can be altered from hard, brickwall-style clipping, to softer saturation with compression. Additional parameters allow the user to control the even- and odd-order components of the saturation.