Gilberto Gil's second album is packed with some of the best songs of his career – jubilant pop extravaganzas like "Domingo No Parque," "Pega a Voga, Cabeludo," and "Frevo Rasgado" that were equally inspired by the irresistible, brassy bombast of Carnaval and intelligent rock & roll from America and Britain. Even more than the other tropicalistas, though, Gil blends his rock and native influences seamlessly, resulting in songs like "Êle Falava Nisso Todo Dia" that chart an intriguing fusion of Brazilian and British Invasion (before he breaks into Portuguese for the first verse, the intro sounds exactly like a few early Rolling Stones productions).
Egberto Gismonti's volume in the excellent ECM Rarum series contains material from seven of his ten albums for the label as a leader, none from the 124 recordings on his own label distributed by ECM. It hardly matters. Gismonti is the most enigmatic and mercurial of the artists on the roster. Being from Rio de Janeiro, Brazil, he has made a life of delving deep into his country's magical musical framework that draws into itself and expands upon the many cultures that have intersected with it from Africa, Europe, and the United States. The music contained here finds Gismonti, ever the shamanistic gadfly conjurer, singing and playing no less than eight instruments, from percussion to guitars to flutes.
John McLaughlin & Paco de Lucia: Paco and John - Live at Montreux 1987 it's truly a shame that, all too often, artists with diverse careers become pigeon-holed, defined by the primary genre in which they first achieved notoriety. Take guitarist John McLaughlin, for instance. Ask most jazz fans about him and what will first come out of most of their mouths will include either the words "fusion," "jazz-rock" and/or Miles Davis, in any permutation/combination (not that there's anything wrong with that). Those a little further in the know might also be aware of his longstanding investigation into the nexus of eastern and western music with his Indo-collaboration, Shakti.
Egberto Gismonti is one of the finest brazilian musicians ever. As well as a piano and guitar virtuoso, he's a wonderful composer and arranger. This CD, a release of his own label, Carmo, brings to us studio and live piano versions of some of his classics, like "Frevo", "Palhaco", "Loro", "7 anéis" and other true gems.
Rosnes Artfully Reimagines Quintessential Brazilian Songs, Joined by Two of Brazil’s Greatest Artists and Composers, Edu Lobo and Joyce Moreno and also features American and Brazilian Stars, including Maucha Adnet, Chris Potter, Steve Davis, Chico Pinheiro, John Patitucci, Adam Cruz, and Rogério Boccato.