The Japanese lutenist Toyohiko Satoh (佐藤豊彦) is one of the most influential lute players of the last century. Born in 1943, he is now looking back on a career of over 40 years of lute playing, including 35 years teaching as a professor for lute at the Royal Conservatory of Den Haag, the Netherlands. Besides being a performer, he is also composing music for chamber ensembles and solo lute, as well as researching and writing about music.
Tales from the Tiki Lounge is Duke Robillard and Sunny Crownover's tribute to Les Paul & Mary Ford. Robillard, an accomplished veteran guitarist with a background in blues and swing, demonstrates that he knows his way around a Gibson Les Paul model guitar in the ways that Paul played and overdubbed it on his series of hit recordings with his then-wife, Ford, singing from the early '50s to the early ‘60s. Crownover, whose voice producer Robillard sometimes double-tracks or adds echo to in emulation of Paul's recording approach, has a warm tone consistent with Ford's. The selections include many of the Paul/Ford hits, including "Bye Bye Blues," "Just One More Chance," "Smoke Rings," and "I'm Confessin' (That I Love You)," as well as songs Robillard has wisely selected that, while not actually recorded by Paul and Ford, can be performed in their style.
Instead of running away from his father's enormous legacy, Jason Bonham embraced it on his first official solo album, In the Name of My Father: Zepset. Recorded live in New York City, the album features Bonham and his backing band running through a number of Led Zeppelin classics, and he expertly mimics the style and subtle funk of his father, John. While it proves his technical skill as a musician, the record doesn't offer any significant new interpretations of the material, suggesting that his vision may be limited. Nevertheless, In the Name of My Father is a warm, loving tribute to one of the giants of hard rock that is entertaining in its own right.
Recorded in 1962 with most of the same band that made Soul Clinic, Hank Crawford turns in a simmering, deep soul performance that draws in equal parts from Ray Charles' R&B, James Moody's blues and Duke Ellington's swing. Accompanied by Texas tenor giant David "Fathead" Newman, baritone saxophonist Leroy Cooper, trumpeters John Hunt and Phil Guilbeau, bassist Edgar Willis and drummer Bruno Carr (with Sonny Forrest on guitar on three tracks), Crawford follows the soul-blues Muse into the night on this set.
Michael E Frith had piano lessons as a young child but was really turned on to music in big way when Motown hit him like a ton of bricks in the early sixties, he was smitten and from that time on he’s had a love affair with music. He joined various cover bands and toured the Euro/American Navy and Air force bases playing keyboards and percussion and enjoyed a short stint with U.S. vocal group Johnny Johnson and the Bandwagon, who had a massive hit worldwide with "Breaking Down The Walls Of Heartache"…
With trickles of piano, synth, and viola, the Los Angeles-based collaborators shape a tranquil vision of a Nordic landscape that feels just beyond the edge of reality.