Full Artwork Jazz Prestige New Jazz Universal Japan

Miles Davis, Stan Getz, Lee Konitz, Zoot Sims - Conception (1951) {2013 Japan Prestige 7000 Chronicle SHM-CD HR Cutting Series}

Miles Davis, Stan Getz, Lee Konitz, Zoot Sims, Sonny Rollins - Conception +7 (1951) {2013 Japan Prestige 7000 Chronicle SHM-CD HR Cutting Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 239 Mb | MP3 @320 -> 147 Mb
Full Artwork @ 600 dpi (png) -> 263 Mb | 5% repair rar | DSD / HR Cutting Remaster
© 1951, 2013 Prestige / Concord / Universal Japan | UCCO-5213 | Mono | PRLP 7013
Jazz / Cool / Bop / Trumpet / Saxophone

Reissue features the latest digital remastering and the high-fidelity SHM-CD format (compatible with standard CD player) and the latest DSD / HR Cutting remastering. Comes with a description. Features the original LP designs. A unique all-star set recorded in various combinations between 1949 and 1951, Conception is an underappreciated masterpiece of cerebral cool jazz. Although Miles Davis gets top billing, he appears on only half the album and then most often as a sideman with only occasional solos. Saxophonists Lee Konitz, Stan Getz, and Gerry Mulligan are the true stars of the album, with Konitz particularly shining.
Art Blakey and The Jazz Messengers - Buhaina (1973) {2014 Japan Prestige Masters Collection 1000 Series UCCO-90295}

Art Blakey and The Jazz Messengers - Buhaina (1973) {2014 Japan Prestige Masters Collection 1000 Series UCCO-90295}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 281 Mb | MP3 @320 -> 99 Mb
Full Artwork @ 600 dpi (png) -> 217 Mb | 5% repair rar
© 1973, 2014 Prestige / Concord / Universal Music Japan | UCCO-90295
Jazz / Hard Bop / Modal Music / Groove / Soul Jazz

An amazing album that has Art Blakey completely reinventing himself for the 70s! Blakey shifts from straight hardbop to kind of a modal soul jazz groove, touched with some of the electric playing of the younger jazz generation, but not enough to qualify as fusion or funk. Instead, he's working with some great younger players – like Carter Jefferson, Woody Shaw, and Michael Howell – hitting a groove that reminds us of some of the best underground soul jazz on labels like Muse or Strata East. Includes the amazing long groovers "Mission Eternal" and "Chant For Bu", a famous Tribe Called Quest sample – plus new electric piano versions of "Moanin" and "Along Came Betty", both of which feature vocals by Jon Hendricks.
Phil Woods - Pairing Off (1956) {2013 Japan Prestige 7000 Chronicle SHM-CD HR Cutting Series, UCCO-5246}

Phil Woods - Pairing Off (1956) {2013 Japan Prestige 7000 Chronicle SHM-CD HR Cutting Series, UCCO-5246}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 197 Mb | MP3 @320 -> 107 Mb
Full Artwork @ 600 dpi (png) -> 314 Mb | 5% repair rar | DSD / HR Cutting Remaster
© 1956, 2013 Prestige / Concord / Universal Japan | UCCO-5246 | Mono | PRLP 7046
Jazz / Hard Bop / Saxophone / Trumpet

Reissue features the latest digital remastering and the high-fidelity SHM-CD format (compatible with standard CD player) and the latest DSD / HR Cutting remastering. Comes with a description. Features the original LP designs. The title of this excellent CD reissue comes from the fact that the featured septet consists of two altos (Phil Woods and Gene Quill) and two trumpets (Donald Byrd and Kenny Dorham) in addition to a rhythm section (pianist Tommy Flanagan, bassist Doug Watkins, and drummer Philly Joe Jones). Of the pairings, Woods and Dorham were more distinctive in 1956, but both Quill and Byrd get in some good licks. The full group stretches out on four lengthy numbers: three Woods originals and the ballad "Suddenly It's Spring."
Miles Davis and Milt Jackson - Quintet / Sextet (1955) {2013 Japan Prestige 7000 Chronicle SHM-CD HR Cutting Series UCCO-5234}

Miles Davis and Milt Jackson - Quintet / Sextet (1955) {2013 Japan Prestige 7000 Chronicle SHM-CD HR Cutting Series UCCO-5234}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 126 Mb | MP3 @320 -> 74 Mb
Full Artwork @ 600 dpi (png) -> 294 Mb | 5% repair rar | DSD / HR Cutting Remaster
© 1955, 2013 Prestige / Concord / Universal Japan | UCCO-5234
Jazz / Bop / Cool / Hard Bop / Trumpet / Vibes

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest DSD / HR Cutting remastering. Comes with a description. Features the original LP designs. Less heralded than their collaboration with Thelonious Monk (as documented on Bags' Groove and Miles Davis and the Modern Jazz Giants), this August 5, 1955 session with vibraphonist Milt Jackson was Davis' last all-star collaboration before the formation of his first classic quintet. It marked a farewell to an older generation of acolytes and fellow travelers; Davis was entering a new era of leadership and international stardom, and generally he would only record with his working groups.
Jimmy Raney - A (1955) {2014 Japan Prestige 7000 Chronicle SHM-CD HR Cutting Series UCCO-5289}

Jimmy Raney - A (1955) {2014 Japan Prestige 7000 Chronicle SHM-CD HR Cutting Series UCCO-5289}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 160 Mb | MP3 @320 -> 111 Mb
Full Artwork @ 600 dpi (jpg) -> 219 Mb | 5% repair rar | DSD / HR Cutting Remaster
© 1955, 2014 Prestige / Concord / Universal Japan | UCCO-5289 | Mono | PRLP 7089
Jazz / Cool / Guitar

Reissue features the latest DSD / HR Cutting remastering and the high-fidelity SHM-CD format (compatible with standard CD player). Comes with a description. Features the original LP designs. Jimmy Raney leads two separate groups on this OJC reissue CD, both recorded during the mid-'50s. The first session finds the leader experimenting with overdubbing a second guitar line over his introduction and closing during all four pieces, including the very exciting "Minor" (which is based on the chord changes to "Bernie's Tune"), "Double Image" (inspired by "There Will Never be Another You"), plus some wild improvised counterpoint between Raney and pianist Hall Overton in "On the Square" and an intricate rendition of the ballad "Some Other Spring."
Billy Taylor - Cross-Section (1954) {2014 Japan Prestige 7000 Chronicle SHM-CD HR Cutting Series UCCO-5271}

Billy Taylor - Cross-Section (1954) {2014 Japan Prestige 7000 Chronicle SHM-CD HR Cutting Series UCCO-5271}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 127 Mb | MP3 @320 -> 89 Mb
Full Artwork @ 600 dpi (png) -> 340 Mb | 5% repair rar | DSD / HR Cutting Remaster
© 1954, 2013 Prestige / Concord / Universal Japan | UCCO-5271 | Mono | PRLP 7071
Jazz / Bop / Bebop / Hard Bop / Mambo / Piano

Reissue features the latest digital remastering and the high-fidelity SHM-CD format (compatible with standard CD player) and the latest DSD / HR Cutting remastering. Comes with a description. Features the original LP designs. A great record – or half-great, as the case may be! One part of this album features Billy with his standard trio of Earl May and Percy Brice, playing mellow piano trio versions of tracks that include "Tune For Tex", "Goodbye", "Biddy's Beat", and "Eddie's Theme". Those cuts are fine, but the real strength of the album lies on the last 4 cuts – all killer Latin jazz numbers cut with a rhythm section that includes Machito, Jose Mangual, Charlie Smith, and Uba Nieto. The added conga, bongos, and timbales really make the tracks groove – and you'll find yourself coming back to "I Love To Mambo", "Mambo Azul", "Early Morning Mambo", and "Candido" more than you will the rest of the record.
Azar Lawrence - People Moving (1976) {2014 Japan Rare Groove Funk Best Collection 1000 UCCO-90361}

Azar Lawrence - People Moving (1976) {2014 Japan Rare Groove Funk Best Collection 1000 UCCO-90361}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 265 Mb | MP3 @320 -> 91 Mb
Full Artwork @ 600 dpi (png) -> 185 Mb | 5% repair rar
© 1976, 2014 Prestige / Concord / Universal Music Japan | UCCO-90361
Jazz / Post Bop / Soul Jazz / Jazz Funk / Saxophone

Reissue with the latest remastering. Stellar reed work from Azar Lawrence – a player who's best known for his acoustic revival in recent years, but who could play with some excellent electric backings during the 70s! The set's less an electric funk outing than it is a spiritual jazz set, with keyboards and guitar in the mix – beautifully put together by the young Skip Scarborough, with a feel that's very similar to Gary Bartz's work with Larry Mizell!