Funk on Life

Life in the Tropics – the first Peak Records release for the Rippingtons – features guitarist Russ Freeman and is a great smooth jazz celebration of rhythmic delights that resemble the tropical splendor of an island oasis. The natural beauty of each composition is reflected by the great talents of the Rippingtons: Kim Stone on bass, Dave Kochanski on keyboards, Ramon Yslas on percussion, and Dave Hooper on drums, along with special guests the great saxophonists Dave Koz, Eric Marienthal, and Paul Taylor, keyboardist Bob James, and guitarist Peter White. The centerpiece of this CD is "Love Child," a sensuous mid-tempo ballad that alternates the brilliant sax work of Marienthal and Taylor as Freeman strums an emotional string sonnet under soulful synths and keyboards. The romantic vocals of Howard Hewitt on "I Found Heaven" invite you to rediscover his intense passion for a great love ballad.

French guitarist/producer U-Nam is again standing tall and looming large on the smooth jazz scene with another creative gem called C’est Le Funk. In addition to dazzling us with his graceful and funky instrumental work (and one funky delivery with vocals from Tim “TiO” Owens), the album is loaded with strong production and presence. Wasting no time putting the groove into high gear from the start, the guitarist leads off with a driving track called “Smoovin’,” continues plowing ahead with the party groover “Something’s Up” and strutting right through the super-funky, hook-rich title track which features Nivo Deux (Nivo Deux is actually a project organized by U-Nam and wife Shannon Kennedy focusing on the incorporation of 80’s Pop, Smooth Jazz, and Electro-Funk).

Since making his debut as a leader with 2001's At Last, Marcus Strickland has established a reputation as a composer of remarkable depth and breadth. On Nihil Novi, his first Blue Note offering, Strickland showcases a new band – trumpeter Keyon Harrold, keyboardists Mitch Henry and Masayuki Hirano, bassist Kyle Miles, and drummer Charles Haynes. His new tunes offer an even greater array of styles, harmonic textures, and dynamics, and reveal his preoccupation with hip-hop beatmaking. (This isn't a jazz/hip-hop fusion record.) Nihil Novi was expertly and empathetically produced by Meshell Ndegeocello, who also guests on bass. Strickland also brings in some old friends and allies, including Robert Glasper, Chris Dave, Pino Palladino, and Chris Bruce.

Sounds of the Seventies was a 38-volume series issued by Time-Life during the late 1980s and early-to-mid 1990s, spotlighting pop music of the 1970s. Much like Time-Life's other series chronicling popular music, volumes in the "Sounds of the Seventies" series covered a specific time period, including individual years in some volumes, and different parts of the decade (for instance, the early 1970s) in others; in addition, some volumes covered specific trends, such as music popular on album-oriented rock stations on the FM band. Each volume was issued on either compact disc, cassette or (with volumes issued prior to 1991) vinyl record.

Ben Sidran first came to public attention as a sideman on one of the early Steve Miller Band albums in the late Sixties. His keyboard stylings and flare suggested a background in jazz/rock fusion. His debut album, "Feel Your Groove" (also available on a Japanese Import CD) included a wealth of celebrated English and American talent including drummer Charlie Watts, but still did not deliver fully what Ben Sidran seemed to promise. This, his second album, was recorded after he resettled in Madison, Wisconsin (a.k.a. "Mad-City," then the Berkeley of the Midwest)and it showcased Ben Sidran's writing and performing in great form. It is quintessential Sidran, with stylings reminiscent but not imitative of his idol Mose Allison, and tunes that have held up extraordinarily well over the past three decades. This was Ben Sidran's true break-through LP, although best known to a relatively small group of FM alternative radio fanatics.