This box set contains the complete symphonies of Beethoven and Brahms, the later symphonies of Mozart, symphonies of Mahler and Bruckner, CDs with rehearsals and many more. The German born conductor Bruno Walter (1876-1962) was known primarily for his interpretations of the Viennese school. Though out of step with 20th century trends he was such a fine musician that he became a major figure - filling the wide gulf between the extremes of his day - Arturo Toscanini and Wilhelm Furtwängler.
We're talking the mid-1950s when Germany was working her fingers to the bone and trying to reconcile herself with a huge collective guilt. Musical standards were uncommonly high and DG's chosen selections attest to the highest levels of care and devotion. Rehearsals were plentiful, stretching to 22 hours spread over six days for Igor Markevitch's Berlin Philharmonic "Symphonie fantastique". Few versions have married temperament and formal argument as successfully, the sudden rushes of adrenalin used to intensify rather than distort Berlioz's endless melodic lines. Some of these recordings have been hugely influential, Furtwängler's passionate yet malleable Schumann No. 4 for example. Jochum's Mozart is supplemented by his deeply devotional and occasionally raging Bruckner Ninth, while in addition to Berlioz, Markevitch offers us perceptive early Schubert (the sorrowful opening of the Fourth is unforgettable) and Bizet's witty suite "Jeux d'entfants". There's a slowbreathing Beethoven Second under Kurt Sanderling, a stolid pairing of Symphonies Nos. 5 and 7 and a beefy Brahms Second from Karl Böhm, and a thoughtful trio of Haydn symphonies (Nos. 44, 94 and 98) under Ferenc Fricsay. But the gem of the collection, where pondered musicianship and painstaking preparation reach the same exalted goal, is Fritz Lehmann's selection from Schubert's "Rosamunde" . . . It's style through and through – as music, performance and presentation, a superb production, hopefully to be followed by a second volume.Record Review / Rob Cowan, Independent (London)
The Radio Legacy is a compilation of the seven part Anthology of the Royal Concertgebouw Orchestra, the four box sets devoted to the orchestra s chief conductors Willem Mengelberg, Eduard van Beinum, Bernard Haitink and Riccardo Chailly, and also featuring more recent recordings with Mariss Jansons.
…It is, above all, a triumph for the Vienna Philharmonic: their second memorable live Bruckner Ninth in so many months. …Given my reservations over Bernstein's handling of the first movement, this is obviously no front-line library recommendation. But, Bernstein being Bernstein, he can misdirect parts of the first movement and still go on to conduct an utterly memorable performance. As Schumann said of Chopin in a rather different context: "Hats off, gentlemen, a genius!".
Richard Osborne, The Gramophone
As with many of the BBC Legends issues, it seems clear enough who the target audience is. Beechamites will want to acquire this recording as a matter of course, and for serious students of the Ninth, this is the only opportunity to hear it performed by one of the most fascinating conductors of the 20th Century. ’Nuff said. – FANFARE: Richard A. Kaplan
Dimitri Mitropoulos (1896-1960) was a Greek conductor who came to America in the 1930s and made many recordings with the Minneapolis Symphony Orchestra and the New York Philharmonic Orchestra. Like Wilhelm Furtwangler of Arturo Toscanini, Mitropoulos' height of popularity came just before the advent of modern sound technology, so that many of Mitropoulos' finest recordings are marred by distortion and background noises that may make those recordings practically un-listenable to some classical music enthusiasts (although the new Sony Mitropoulos set has advertised that most of those very rough recordings have been "remastered").