Fusion For Miles

Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 5of6)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.88 Gb | MP3 @320 -> 1.11 Gb | Artwork
© 2006 Sony Music Japan / Columbia | SICP 1222~29 | DSD | HQD High Quality Disc
Jazz / Fusion / Jazz Rock / Jazz Funk / Trumpet

None of Miles Davis' recordings has been more shrouded in mystery than Jack Johnson, yet none has better fulfilled Miles Davis' promise that he could form the "greatest rock band you ever heard." Containing only two tracks, the album was assembled out of no less than four recording sessions between February 18, 1970, and June 4, 1970, and was patched together by producer Teo Macero. Most of the outtake material ended up on Directions, Big Fun, and elsewhere. The first misconception is the lineup: the credits on the recording are incomplete. For the opener, "Right Off," the band is Miles, John McLaughlin, Billy Cobham, Herbie Hancock, Michael Henderson, and Steve Grossman (no piano player!), which reflects the liner notes.

Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 6of6)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.50 Gb | MP3 @320 -> 0.99 Gb | Artwork
© 2006 Sony Music Japan / Columbia | SICP 1230~37 | DSD | HQD High Quality Disc
Jazz / Fusion / Jazz Rock / Jazz Funk / Trumpet

Along with its sister recording, Pangaea, Agharta was recorded live in February of 1975 at the Osaka Festival Hall in Japan. Amazingly enough, given that these are arguably Davis' two greatest electric live records, they were recorded the same day. Agharta was performed in the afternoon and Pangaea in the evening. Of the two, Agharta is superior. The band with Davis – saxophonist Sonny Fortune, guitarists Pete Cosey (lead) and Reggie Lucas (rhythm), bassist Michael Henderson, drummer Al Foster, and percussionist James Mtume – was a group who had their roots in the radically streetwise music recorded on 1972's On the Corner, and they are brought to fruition here.

Miles Davis - Miles Electric: A Different Kind of Blue (2004) {DVD9 PAL Eagle Rock EE39020-9 rec 1970}
DVD9 -> 5.98 Gb | All Regions | PAL 4:3 | LPCM, 2 ch / Dolby AC3, 6 ch / DTS, 6 ch | ~ 123m | ISO Image
Full Artwork @ 300 dpi (png) -> 18 Mb | Subs: English, Francais, Espanol | 5% repair rar
© 1970, 2004 Eagle Rock / Pulsar | EE39020-9
Jazz / Fusion / Jazz Funk / Trumpet

When he released "Bitches Brew" in 1970, Miles Davis opened up a new angle to jazz which stirred up emotions like no other record before. Some critics accused Davis of selling out, while the public bought it like crazy. It is one of the most examined albums of all time, even garnering a box set of the sessions. To date, "Bitches Brew" is one of the top selling jazz albums of all time. "Miles Electric: A Different Kind of Blue" examines the next step in the creative process…performing these songs live. The 1970 Isle of Wight featured an array of performers from The Who to Jethro Tull to Joni Mitchell. With improvisation playing a big role in the performance, the band (Jack DeJohnette, Chick Corea, Keith Jarrett, Gary Bartz and Dave Holland) had to be "on", yet ready to change on the fly. Directed by award-winning producer Murray Lerner, "Miles Electric" sits down with several of the performers who played with Miles, interspersed with his 1970 Isle of Wight performance, as well as artists such as Carlos Santana and Joni Mitchell, who describe the impact Miles Davis had towards music.

Miles Davis - Live In Berlin 1969 (2010) {Gambit Records 69331}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 394 Mb | MP3 @320 -> 188 Mb
Full Artwork @ 300 dpi (jpg) -> 8 Mb | 5% repair rar
© 1969, 2010 Gambit Records | 69331
Jazz / Fusion / Electric Miles / Trumpet

This edition presents for the first time ever on CD, the Berlin performance by the 1969 Miles Davis Quintet with Wayne Shorter, Chick Corea, Dave Holland and Jack DeJohnette. Wayne Shorter left the band in the fall of 1969, and this quintet was to be soon replaced by new formations with even greater accents on percussion, fusion and funk. The band toured Europe from October 26 to November 9, 1969 after Miles Davis had recorded In A Silent Way. The Rome and Copenhagen performances by the same group can be found on a companion double CD set from the same label.

Miles Davis - It's About That Time…, Live In Montreux 1969 (2008) {Jazz Door JD 1294}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 402 Mb | MP3 @320 -> 153 Mb
Full Artwork @ 300 dpi (png) -> 17 Mb | 5% repair rar
© 1969, 2008 Jazz Door | JD 1294
Jazz / Fusion / Jazz Rock / Trumpet

This exciting live set (released for the first time on this European CD in the mid-'90s) finds Miles Davis at a particularly intriguing point in his evolution. He had finished recording In a Silent Way five months earlier, and was just a few weeks away from starting Bitches Brew. His working quintet (captured during a seven-song continuous set at the Montreux Jazz Festival) at that time was comprised of Wayne Shorter on tenor and soprano, keyboardist Chick Corea, Dave Holland on electric bass, and drummer Jack DeJohnette.

This single CD gives one a definitive look at Miles Davis' live show from his last three years. Using funky but unpredictable rhythm sections and leaving space for plenty of solos, Davis created a unique brand of fusion that has yet to be satisfactorily duplicated. Among his more notable sidemen during this era are altoist Kenny Garrett, Foley on lead bass (which he used as a lower-toned guitar), one or two keyboardists chosen from Joey DeFrancesco, Adam Holzman, Robert Irving III, Kei Akagi, and John Beasley, various bassists, drummers, and percussionists, and on "Amandla," the tenor of Rick Margitza. Davis is in consistently strong form throughout the numbers, which include "In a Silent Way," "New Blues," "Human Nature," "Tutu," and "Time After Time." Quite often the live versions of these songs are more creative and exciting than the ones previously issued.