The original version of the album In Heat as it was intended to sound. The Fuzztones have been around for over 30 years as a garage rock revival band. Though originally from New York City, they work mainly in Europe where their brand of retro 60 trash rock burns up radios from Hungary to Poland to Italy. The original In Heat was released in 1989 at the peak of the garage revival, when bands like the Chesterfield Kings, Lyres, and Cynics were all the rage. Unsurprising, the music industry turned a blind eye, yet miraculously The Fuzztones signed a major label deal with RCA. Label politics had the band in a "real" studio with a "name" producer who watered down their unharnessed energy and snotty attitude. In the end the original disc was a second rate affair with most of the grit rubbed out only to die a sad, quick death at the hands of critics who never appreciated the band’s live act anyway. Raw Heat therefore turns the clock back in time when garage rock rivaled punk as the most exciting musical scene to come along in decades.
Classic first mini album Completely re mastered for the first time. Comes with nine bonus tracks. Originally released on Midnight in 1984, this live album (recorded during their Midwest tour) is the legendary debut that spearheaded the rough 'n' ready garage rock revival scene joined by other great combos such as the Cynics, the Chesterfield Kings, et al. Formed in 1981 by NYC beat guru Rudi Protrudi, the Fuzztones got immediate attention for their authentic sonic replication of the 1960s garage punk style and grotesque b-movie artwork (read: The Cramps). Their sonic attack is well documented in the grooves of this faithful re-release of the 'Tones deadly debut.
Born during the revolutionary and musically-rich '60s, Psychedelic Rock provided a platform for British and American musicians to experiment not only with hallucinogenic drugs, but also with new sounds that included elaborate studio effects, non-Western instruments -such as sitar and tabla-, disjunctive song structures and surreal and esoterically-inspired lyrics. The Psychedelic Rock Box is a 6XCD compilation that showcases the work of the genre's most prominent artists and many of the essential tracks from that era. The Fuzztones, Arthur Brown, Spencer Davis Group, The Deviants, Sun Dial and Plasticland are only a few of the performers included in this definitive collection of the genre. With fantastic artwork and remastered sound, The Psychedelic Rock Box is an fundamental addition to your rock music collection. And remember that it is not available on streaming platforms!
2016 release containing the fifth and sixth deluxe installments of Crypt's Last Of The Garage Punk Unknowns series. 28 prime slabs of mid 60s USA garage punk aceness from LPs five and six with liner notes, band photos, label scans. (NOTE: This is an entirely NEW series and none of these tracks were on the old series Garage Punk Unknowns, so wise up!) Featuring rug-cutters from The Thunderbirds, The Kinetics, The Edges Of Wisdom, The French Church, The Symbols, The Scurvy Knaves, Purple Virus, The Ebb Tides, The Plague, Caedman & The Nobles, The Starfyres, The Uniteds, The Greg Stokes, The Torments, Kenneth & The Yorkshire Coachmen, The Sires, The Riots and many others.
Digitally remastered and expanded edition. An 'Even Bloodier Edition' of the legendary psychobilly album Blood On The Cats which was originally issued in 1983 on Cherry Red's Anagram label. Featuring the original album which successfully combined music from UK psychobilly scene leaders The Meteors, The Sting-Rays and The Guana Batz, US pioneers Panther Burns, Irish punks The Outcasts, gothabilly rockers Alien Sex Fiend and even horror rocker Screaming Lord Sutch to create a suitably psychotic blend. Psychobilly was one of the biggest youth cults of the 1980s, remembered for the followers' gravity-defying quiffs and aggressive "wrecking" dance. The music became an adrenalized mix of rockabilly and punk featuring lyrics often inspired by horror and science fiction films. 'Blood On The Cats' was the first compilation to try to define psychobilly and many fans' first exposure to a genre that, at that stage, was still unformed, being part of a worldwide movement inspired by punk but devoted to primitive rock 'n' roll of the 1950s and 1960s.