g d Sanders

Elevation, Pharoah Sanders' final album for Impulse!, is a mixed bag. Four of the five cuts were recorded live at the Ash Grove in Los Angeles in September of 1973, and the lone studio track, "Greeting to Saud (Brother McCoy Tyner)," was recorded in the same month at Wally Heider's studio. The live date is fairly cohesive, with beautiful modal piano work from Joe Bonner, Pharoah playing tenor and soprano as well as a myriad of percussion instruments and vocalizing in places, and a percussion and rhythm section that included Michael Carvin on drums, bassist Calvin Hill, and hand drummers John Blue and Lawrence Killian…

This CD features tenor-saxophonist Pharoah Sanders accompanied by a supportive rhythm section (pianist William Henderson, bassist Charles Fambrough and drummer Sherman Ferguson). Although there are some passionate moments, this is actually one of his mellower sessions and he explores such songs as "Naima" and "After the Rain" in a ballad style not that different than John Coltrane's of the early '60s. There are some heated moments on some of the other selections (such as "Wise One" and "Crescent") but Sanders's trademark screeches are at a minimum this time around.

Pharoah Sanders - Village Of The Pharoahs & Wisdom Through Music (2011) {Impulse! 2-on-1 Remasters Series rec 1971-1973}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 454 Mb | MP3 @320 -> 167 Mb
Full Artwork @ 300 dpi (jpg) -> 13 Mb | 5% repair rar
© 1971-73, 2011 Impulse! / Verve / Universal | 06007 5334702
Jazz / Avant-Garde Jazz / Soul Jazz / Modal Music / Saxophone

The albums packaged in this Impulse two-fer – Village of the Pharoahs and Wisdom Through Music – were both released in 1973, but only the latter was recorded as an album. They share the same basic personnel – pianist Joe Bonner, bassist Cecil McBee, drummer Norman Connors, and percussionist Lawrence Killian – while Village, because it was recorded at three different sessions over three years, also contains numerous other players, including vocalist Sedatrius Brown, bassists Stanley Clarke, Jimmy Hopps, and Calvin Hill, percussionists Hannibal Peterson and Kenneth Nash, and flutist Art Webb. Wisdom Through Music simply adds Mtume and Badal Roy to the percussion section, with Killian and flutist James "Plunky" Branch (founder of spiritual jazz-funk pioneers Oneness of Juju).

Conventional wisdom has it that saxophonist Pharoah Sanders' signature, late-1960s astral jazz recording is "The Creator Has A Master Plan" from Karma (Impulse!, 1969). But conventional wisdom is rarely to be trusted. Clocking in at an unhurried and mesmerising 32:45, "Master Plan" is certainly definitive Sanders of the time; yet "Upper Egypt And Lower Egypt," from Sanders' own-name Impulse! debut, Tauhid, recorded in November, 1966, is arguably the finest statement in his astral oeuvre.

Recorded in 1987, A Prayer Before Dawn is one of Pharoah Sanders' gentle, reflective dates. Some jazz fans may cringe at his versions of "Christmas Song" and Whitney Houston's "The Greatest Love of All," but the music displays a heartfelt spirituality as opposed to financial slickness. It is the opposite of Sanders' characteristic fire-breathing tenor of his Impulse days, but there is nobility in taking this tranquil direction; Sanders refuses to repeat himself. He demands you listen with open ears, dropping preconceived notions. For instance, unlike the adult contemporary direction taken by one-time free jazz tenor titan Gato Barbieri, this date doesn't sound like a polished commercial venture as much as a quiet, meditative one. The use of tabla, sarod, and chandrasarang adds to the session's spiritual nature.