Gal Costa Live

This 21-track live DVD, celebrating the illustrious 35-year career of Brazilian singer-songwriter Djavan, features tracks from his 2011 album ‘Aria’ plus a selection of his most famous songs. It was recorded on the 8th and 9th April, 2011 at the Grand Theatre of the Palace of Arts in Belo Horizonte, South-East Brazil.

A true heavyweight, Caetano Veloso is a pop musician/poet/filmmaker/political activist whose stature in the pantheon of international pop musicians is on a par with that of Bob Dylan, Bob Marley, and Lennon/McCartney. And even the most cursory listen to his recorded output over the last few decades proves that this is no exaggeration.
Born in 1942 in Santo Amaro da Purificacao in Brazil's Bahia region, Veloso absorbed the rich Bahian musical heritage that was influenced by Caribbean, African, and North American pop music, but it was the cool, seductive bossa nova sound of João Gilberto (a Brazilian superstar in the 1950s) that formed the foundation of Veloso's intensely eclectic pop.

When talking about bossa nova, perhaps the signature pop music sound of Brazil, the first name that comes to mind is that of Antonio Carlos Jobim. With songs like "The Girl from Ipanema" and "Desafindo," Jobim pretty much set the standard for the creation of the bossa nova in the mid-'50s. However, as is often the case, others come along and took the genre in a new direction, reinventing it through radical reinterpretation, be it lyrically, rhythmically, or in live performance, making the music theirs. And if Jobim got credit for laying the foundation of bossa nova, then the genre was brilliantly reimagined (and, arguably, defined) by the singer/songwriter and guitarist João Gilberto. In his native country he was called "O Mito" (The Legend), a well-deserved nickname: Since he began recording in late '50s Gilberto, with his signature soft, near-whispering croon, set a standard few have equaled.

When talking about bossa nova, perhaps the signature pop music sound of Brazil, the first name that comes to mind is that of Antonio Carlos Jobim. With songs like "The Girl from Ipanema" and "Desafindo," Jobim pretty much set the standard for the creation of the bossa nova in the mid-'50s. However, as is often the case, others come along and took the genre in a new direction, reinventing it through radical reinterpretation, be it lyrically, rhythmically, or in live performance, making the music theirs. And if Jobim got credit for laying the foundation of bossa nova, then the genre was brilliantly reimagined (and, arguably, defined) by the singer/songwriter and guitarist João Gilberto. In his native country he was called "O Mito" (The Legend), a well-deserved nickname: Since he began recording in late '50s Gilberto, with his signature soft, near-whispering croon, set a standard few have equaled.