What unites these 26 tracks? They're all black vocal group sides from 1960-1970, originally released on the Galaxy, Fantasy, 4-J, Riverside, and Specialty labels. That might be a fragile thread to tie a compilation around, but basically it's a way for Fantasy, which now distributes Specialty, to round up a bunch of doo wop, R&B, and soul rarities that it has license to. It's an agreeable though not great listen, illustrating in a modest way the transitional links between doo wop and soul music.
What unites these 26 tracks? They're all black vocal group sides from 1960-1970, originally released on the Galaxy, Fantasy, 4-J, Riverside, and Specialty labels. That might be a fragile thread to tie a compilation around, but basically it's a way for Fantasy, which now distributes Specialty, to round up a bunch of doo wop, R&B, and soul rarities that it has license to. It's an agreeable though not great listen, illustrating in a modest way the transitional links between doo wop and soul music.
Despite being renowned in certain parts of the world (especially in Italy and their hometown of Paris), the space-age outfit Rockets remains largely obscure – even though they arrived on the scene at almost he same exact time as Kraftwerk and prefaced Devo by several years…
Simon House is a composer and classically trained violinist and keyboard player, perhaps best known for his work with space rock band Hawkwind. His arrival in 1974 introduced a new element to the band's style. He was the first conspicuously trained musician to join, and the sound that emerged on Hall of the Mountain Grill was a previously unheard, lush chaos which sounded a little like Black Sabbath meets The Moody Blues. Since the 1970s, as well as playing in a re-formed High Tide, and rejoining Hawkwind during 1989-91 and 2001-03, House has released albums under his own name.