Gang of Four Entertainment

George Michael - Flawless (Go To The City): The Mixes [CD Maxi-Single] (2004)

George Michael - Flawless (Go To The City): The Mixes [CD Maxi-Single] (2004)
Pop, Electronic, House, Club/Dance | EAC Rip | FLAC, Img+CUE+LOG+Scans (PNG) | 34:42 Min | 379,86 Mb
Label: Aegean/Epic (USA) | Cat.# 49K 77210 | Released: 2004-08-31 (2004-06-28)

"Flawless (Go to the City)" is a song co-written and performed by British singer George Michael and released by Sony BMG on 28 June 2004. It samples "Flawless", originally recorded by the electronic music band The Ones which in turn samples "Keep On Dancin'" (1978), originally recorded by Gary's Gang. The song was taken from Michael's album "Patience". The single charted at #8 on the UK Singles Chart. It became a huge dance hit, especially in the United States, where it reached #1 on Billboard's Hot Dance Club Songs chart.

Ace Frehley - Spaceman (2018)  Music

Posted by delpotro at Oct. 18, 2018
Ace Frehley - Spaceman (2018)

Ace Frehley - Spaceman (2018)
WEB FLAC (tracks) - 282 Mb | MP3 CBR 320 kbps - 85 Mb | 00:37:11
Hard Rock, Heavy Metal | Label: Entertainment One Music

Ace Frehley is on a roll, and he’s ready to embark on his next musical journey with Spaceman, his third solo outing in four years, and eighth overall. Amongst Ace’s post-KISS recorded output, Spaceman might be the closest link to his widely acclaimed 1978 solo record, both in spirit and execution. First off, Frehley played all of the guitar parts on Spaceman, as well as bass on all but two songs. Longtime drummer Anton Fig, whose friendship with Ace began in that 1978 record, also appears on “Off My Back” and “Pursuit of Rock and Roll” (longtime collaborators Scot Coogan and Matt Starr also play drums on Spaceman). There’s also a thematic, almost biographical, thread running through the album of a long life in rock ’n’ roll, although Ace admits it wasn’t intentional. The first single “Bronx Boy” lays out Ace’s pre-KISS roots, running wild with an Irish street gang called the Ducky Boys. It might be his grittiest song to date, with an opening riff that lashes out like a switchblade.