Gantry

Robotics: Learn by building, Course 4

Eagerly awaited sequel to 2020’s successful ‘Halcyon Days’, that was itself inspired by the RPM Records bespoke compilations ‘Looking Back’, ‘Keep Lookin’ and ‘Night Comes Down’.Celebrating Mod-friendly 1960’s beat music with disc one focussing on club-based sounds, disc two on Mod legends and disc three’s groovier, more heavy and psychedelic acts. With previously unissued Mod RnB tracks from The Fingers, The SW4 and The Trendbender Band plus first legal time on CD Mod RnB, Soul and Freakbeat rarities from The Profile, The Athenians, Laris McLennon and The Scots of St James and a rare version of The Moody Blues’ ‘I’ll Go Crazy’ that was not issued in the UK.

Three CD set exploring rock's dark underbelly and explorations in the occult, witchcraft, bad majick and satanism from 1966 onwards. As the Fab dream of the first half of the 1960s began to fade and the acid took it's unpredictable hold, spirituality in it's many forms provided some outlet for many of pop and rock's weariest souls and most enthusiastic experimenters. As the rock became harder and more progressive, the drugs grew dirtier and peace and love began to falter, the individualistic indulgence promised by the occult and it's many sisters drew it's cloak around already established acts and birthed countless other bastard and hybrid offspring. Divided into several offshoots and outlets - Buried Underground, Phantom Sabbaths, Popular Satanism, She Devils, Folk Devils, Evil Jazz, Beelzefunk and Incantation Chants - 'The Devil Rides In' captures a snapshot of that time and place, when rock, jazz, funk and folk took a step into the darkness, returning with tales of possession, witchcraft, covens, occult ceremonies, black masses, sabbats and encounters with He Who Walks Backwards himself. Enthusiastic and celebratory in places, damaged and cautionary in others, these artists offered a counter balance to the thread of Christian and Eastern spirituality also working it's way into rock at that time. Sometimes overtly, sometimes veiled, but always with something to say.

Starting out briefly as The Electric Garden, Middle Earth opened its doors in 1967 and immediately became the most happening club in London. More than just a home for UK bands that were pushing the boundaries of rock music, Middle Earth also attracted some of America's finest exponents of psychedelic rock such as Captain Beefheart, The Byrds, The Fugs, Jefferson Airplane, and many more.

This book offers a detailed guide to MR-Linac, a unique and fast growing radiation treatment modality. MR-linac is new technology that is a fusion of an MRI and a linear accelerator on the same gantry. It can change both target volume delineation and tumor visualization in real time using MR-cine images and treatment. Tumor location changes moment to moment as radiation is delivered, but this cannot be visualized in current radiation therapy practices. This new and rapidly growing technology can provide adaptive therapy that was not possible before.

Also featuring The Yardbirds, The Kinks, The Zombies, Dusty Springfield, The Move, The Koobas, The Action and The Creation plus an early single B side from future super star David Bowie and early recordings from Jimmy Page playing harmonica with Mickey Finn And The Blue Men, Jeff Beck playing guitar in The Yardbirds, and future Cream members Jack Bruce and Ginger Baker on bass and drums in The Graham Bond Organisation. Future Deep Purple member Jon Lord is organist in The Artwoods and Denny Laine (later to join Paul McCartney in Wings) sings with The Moody Blues.

With over 45,000 enrolled in the first two courses, and over a 4.6 star rating!