This is quite rare case for ambient/experimental genre - as stated in the sleeve notes, no samplers or electronic instruments were used in the creation of this record. It's really hard to tell that its true, since there are all sorts of complex effects and layered sounds which might take a lot of time to create without modern equipment. The record starts with the tribal beat and sounds quite dreamy overall. There are, however, moments when listener is taken on a journey a-la Zoviet-France - scary, unpredictable and downright frightening choirs and sounds abound.
A compilation album of songs provided by musicians from Japan and abroad as a memorial work to Ryuichi Sakamoto’s “Micro Ambient Music” (music that brings silence using non-instrumental sounds).
WRWTFWW Records is very happy to present a new collaborative album by Japanese ambient/environmental legend Takashi Kokubo (Ion Series) and Italian & Swiss trombonist Andrea Esperti (Esperti Project): Music For A Cosmic Garden.
Oneohtrix Point Never's Daniel Lopatin is the kind of artist you expect to keep evolving, even if exactly how he evolves on each album is unpredictable. That said, he still throws listeners a few curves on Garden of Delete, an album inspired by his adolescence and his 2014 tour with Nine Inch Nails and Soundgarden. Any expectations that this is OPN's "guitar album" are quickly dashed: Lopatin's palette is far wider-ranging, incorporating aspects of his previous albums (as well as a nod to his work as Chuck Person on "ECCOJAMC1") and elements of metal, trance, R&B, and Top 40 pop that, when combined, feel unmistakably like Oneohtrix Point Never.