Soul Brother has given us a long overdue compilation of Gary Bartz's experimental jazz material from the 1970s, beginning with his classic Harlem Bush Music albums, Taifa and Uhuru from 1970 and 1971, with his band NTU Troop. While it's impossible to overstate the influence his brief tenure with Miles Davis had on him (Bartz is featured on the Live-Evil recordings), the saxophonist and composer was exploring other avenues of creative black music as well, from funk to soul to the blues. The 12 cuts here begin with the sublime "Celestial Blues," from that seminal NTU Troop debut set.
Gary Graden and the St. Jacobs Chamber Choir have performed the St. John Passion in the St. Jacobs Church regularly since 1990, the last 13 years together with Maria Lindal and her REbaroque ensemble. Though the St. John Passion has become something of a staple in Sweden's churches at Easter, there have been very few recordings with Swedish performers. This release documents not only the long collaboration between the St. Jacobs Chamber Choir and REbaroque, but is also the first recording of a tradition that has existed in the St. Jacobs Church for almost seven decades.
Soul Brother has given us a long overdue compilation of Gary Bartz's experimental jazz material from the 1970s, beginning with his classic Harlem Bush Music albums, Taifa and Uhuru from 1970 and 1971, with his band NTU Troop. While it's impossible to overstate the influence his brief tenure with Miles Davis had on him (Bartz is featured on the Live-Evil recordings), the saxophonist and composer was exploring other avenues of creative black music as well, from funk to soul to the blues.
Flowing from the same bedrock of experience, blues & gospel music have long been closely connected. This Rough Guide features legendary artists who straddled the line between the music of worship and the blues.