Gary Ware

Gary Bartz - Anthology (2004) {Soul Brother Records CD SBPJ 23}  Music

Posted by ruskaval at July 20, 2017
Gary Bartz - Anthology (2004) {Soul Brother Records CD SBPJ 23}

Gary Bartz - Anthology (2004) {Soul Brother Records CD SBPJ 23}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 537 Mb | MP3 @320 -> 183 Mb
Full Artwork @ 300 dpi (png) -> 35 Mb | 5% repair rar
© 1970s, 2004 Soul Brother Records / Passion Music | CD SBPJ 23
Jazz / Jazz Funk / Modern Creative / Soul Jazz

Soul Brother has given us a long overdue compilation of Gary Bartz's experimental jazz material from the 1970s, beginning with his classic Harlem Bush Music albums, Taifa and Uhuru from 1970 and 1971, with his band NTU Troop. While it's impossible to overstate the influence his brief tenure with Miles Davis had on him (Bartz is featured on the Live-Evil recordings), the saxophonist and composer was exploring other avenues of creative black music as well, from funk to soul to the blues. The 12 cuts here begin with the sublime "Celestial Blues," from that seminal NTU Troop debut set.
Gary Graden, REbaroque, S:t Jacobs Chamber Choir - Bach: St John Passion (2012)

Gary Graden, REbaroque, S:t Jacobs Chamber Choir - Bach: St John Passion / Johannes-Passion (2012)
EAC | FLAC | Image (Cue & Log) ~ 570 Mb | Total time: 33:59+72:12 | Scans included
Classical | Label: Proprius | # PRCD2065 | Recorded: 2011

Gary Graden and the St. Jacobs Chamber Choir have performed the St. John Passion in the St. Jacobs Church regularly since 1990, the last 13 years together with Maria Lindal and her REbaroque ensemble. Though the St. John Passion has become something of a staple in Sweden's churches at Easter, there have been very few recordings with Swedish performers. This release documents not only the long collaboration between the St. Jacobs Chamber Choir and REbaroque, but is also the first recording of a tradition that has existed in the St. Jacobs Church for almost seven decades.
Dwelling on the edge of the Neolithic: Investigating human behaviour through the spatial analysis of Corded Ware settlem

Gary Robert Nobles, "Dwelling on the edge of the Neolithic: Investigating human behaviour through the spatial analysis of Corded Ware settlem"
English | ISBN: 9492444070 | 2017 | 355 pages | PDF | 40 MB

Gary Bartz - Anthology (2004)  Music

Posted by JET 1 at Sept. 3, 2020
Gary Bartz - Anthology (2004)

Gary Bartz - Anthology (2004)
EAC Rip | FLAC (Tracks) +CUE, LOG | 570 MB | Scans
Genre: Jazz, Jazz-Funk | Label: Soul Brother Records | Catalog Number: CDSBPJ 23

Soul Brother has given us a long overdue compilation of Gary Bartz's experimental jazz material from the 1970s, beginning with his classic Harlem Bush Music albums, Taifa and Uhuru from 1970 and 1971, with his band NTU Troop. While it's impossible to overstate the influence his brief tenure with Miles Davis had on him (Bartz is featured on the Live-Evil recordings), the saxophonist and composer was exploring other avenues of creative black music as well, from funk to soul to the blues.
Alan Braufman - Valley of Search (1975/2018) [Official Digital Download 24/96]

Alan Braufman - Valley of Search (1975/2018)
FLAC (tracks) 24-bit/96 kHz | Time - 43:06 minutes | 913 MB
Studio Master, Official Digital Download | Artwork: Front Cover

The first ever reissue of the 1975 free jazz album originally released on India Navigation.
What we know of Downtown New York comes from the countercultural and creative flowering that emerged in lower Manhattan in the 1960s, attributable to cheap live-work spaces called lofts. These were often abandoned and disused small manufacturing spaces and they became a nexus for artistic practice and life. From a jazz perspective, lofts were alternatives to the club scene, and they gained notoriety in the 1970s.

Heaven 17 - Bonus Tracks (2022)  Music

Posted by Rtax at Aug. 14, 2022
Heaven 17 - Bonus Tracks (2022)

Heaven 17 - Bonus Tracks (2022)
WEB FLAC (tracks) - 620 MB | MP3 CBR 320 kbps - 218 MB
1:32:29 | New Wave, Synth-pop | Label: UMC (Universal Music Catalogue)

Taking their name from the Anthony Burgess novel A Clockwork Orange, the U.K. techno-pop trio Heaven 17 grew out of the experimental dance project the British Electric Foundation, itself an offshoot of the electro-pop outfit Human League. The core of Heaven 17 was originally comprised of Martyn Ware and Ian Craig Marsh, a pair of onetime computer operators who first teamed in 1977 as the Dead Daughters, a duo that integrated synthesizer patterns with a heavy reliance on tape loops. Soon, Ware and Marsh were joined by Philip Oakey and Adi Newton and changed their name to the Human League, where they remained before exiting together in 1980.
VA - The Rough Guide To Spiritual Blues (Reborn And Remastered) (2020)

VA - The Rough Guide To Spiritual Blues (Reborn And Remastered) (2020)
EAC Rip | FLAC (tracks+log+.cue) - 231 Mb | MP3 CBR 320 kbps - 181 Mb | 01:18:48
Blues, Gospel | Label: World Music Network

Flowing from the same bedrock of experience, blues & gospel music have long been closely connected. This Rough Guide features legendary artists who straddled the line between the music of worship and the blues.
Grant Green - Grant Green, Slick! Live at Oil Can Harry’s (Remastered) (2019) [Official Digital Download 24/192]

Grant Green - Grant Green, Slick! Live at Oil Can Harry’s (Remastered) (2019)
FLAC (tracks) 24-bit/192 kHz | Time - 58:59 minutes | 2.25 GB
Studio Master, Official Digital Download | Artwork: Front Cover

SLICK! - Live at Oil Can Harry’s is a never-before-released recording from jazz guitar great Grant Green captured live on September 5, 1975 at a popular club in Vancouver, BC Canada called Oil Can Harry’s. Featuring a primarily Detroit-based band with Emmanuel Riggins (father of drummer Karriem Riggins) on electric piano, Ronnie Ware on bass, drummer Greg “Vibrations” Williams (Jack McDuff, Lou Donaldson) and Gerald Izzard on percussion, Slick!’s centerpiece is the over 30 minute funk exploration medley of Stanley Clarke’s “Vulcan Princess,” “Skin Tight” by the Ohio Players, Bobby Womack’s “Woman’s Gotta Have It,” “Boogie On Reggae Woman” by Stevie Wonder and “For the Love of Money” by the O’Jays.

VA - 100 Greatest Soft Rock Anthems Ever.. (2019)  Music

Posted by ciklon5 at Sept. 7, 2019
VA - 100 Greatest Soft Rock Anthems Ever.. (2019)

VA - 100 Greatest Soft Rock Anthems Ever.. (2019)
FLAC tracks / MP3 320 kbps | 06:36:06 | 937 Mb / 2,5 Gb
Genre: Rock, Pop / Label: Warner Music Group - X5 Music Group

I Keep Forgettin is a song by singer-songwriter Michael McDonald, from his debut album If That's What It Takes. It was written by McDonald and Ed Sanford. Shes Gone is a song written and originally performed by pop music duo Daryl Hall and John Oates. It was included on album, Abandoned Luncheonette. Easy is a song by Commodores for the Motown label, from their fifth album, Commodores.
Norman Connors - Take It To The Limit (1980) & Mr. C (1981) [2010, Reissue]

Norman Connors - Take It To The Limit (1980) & Mr. C (1981) [2010, Reissue]
R&B, Soul/Funk, Quiet Storm, Disco | XLD Rip | FLAC, Tracks+CUE+LOG+Scans (JPEG) | 01:10:01 | 534,32 Mb
Label: Expansion Records (UK) | Cat.# EXP2CD 07 | Released: 2010-07-20 (1980/1981)

This Expansion release from 2010 combines "Take It to the Limit" (1980) and "Mr. C" (1981) on one compact disc. These were two of Norman Connors' star-studded Arista-era albums, built on dancefloor R&B and quiet storm, highlighted by "Take It to the Limit" (featuring Adaritha), "Melancholy Fire" (Glenn Jones), a cover of Lou Courtney's "I Don't Need Nobody Else" (Al Johnson), "She's Gone," and "Keep Doin' It." This is a straightforward reissue of the two albums. There are no bonus tracks.