Hailing from Genova, Italy, Garybaldi were, in the seventies, the outlet for Pier Niccolò "Bambi" Fossati's guitar wanking. A devout disciple of Hendrix, Bambi Fossati had enough sense to employ creative and intelligent musicians who helped balance Fossat's psych hard leanings with sensitive Italian melodicity and good technique, ensuring that their "Nuda" LP from 1972 was a minor classic of early spaghetti prog…
One more unusual but pleasant Italian Progressive album from 70-th. It includes only two compositions, so is very short. First song is dreamy melodic composition musically in traditional RPI style of that time. Only the big difference are in instruments: whenever keyboards presents and plays important role, music in total are guitar driven. In comparence with previous album, guitar sound is softer and warmer, more rounded, far from heavy Hendrix sound. Composition by itself is very nice, one of band's very best. The second song (or side B of original LP) is very different. It's another long composition, but recorded live in small studio with small team of listeners. And in fact it's pure Hendrix-oriented psychodelic bluesy song. In total, the album is short, but leaves it's traces in your head and your heart. Quite unusual guitar-hero oriented music for Italian bands of period. But songs are melodic, sound openly and catch you with their warm melodism.
An amazing collection of rarities for one of the most important bands of Italian 70′s prog-rock: Garybaldi. This anthology contains a track that was meant to be included in their Gleemen debut, some live and alternate versions recorded between 1969 and 1998, and an amazing gem, three live tracks recorded during the Naples Be-In festival of 1973, one of the very few testimonies of those legendary festivals, as in those times no one used to record gigs in Italy! The artwork has been entirely conceived by Matteo Guarnaccia, one of the most important psychedelic painters in Italy: inspired by the famous "Nuda" cover art, he draw a marvellous triple gatefold artwork. The CD is accompanied with a DVD full of images of the band and documentaries shot in the 70s.
A compilation of Italian progressive rock released via Columbia Records in 1994. 14 tracks including songs from Banco del Mutuo Soccorso, Premiata Forneria Marconi, Garybaldi, Osage Tribe and others.
Formed in the 60's, the Italian band Gleemen released a single album back in 1970. In 1972 they decided to continue using a new name, Garybaldi, and released two more albums under that name before calling it quits. They reunited again in 1990 for a few years, and after another spell of inactivity reunited again in 2010. Come 2013 and the members decide to revive the old Gleemen band name, and towards the end of the year "Oltre… Lontano, Lontano" was released through Black Widow Records, 43 years after the first album issued under that band name saw the light of day…
I Califfi performs a Progresssive rock sung in Italian and situated in the same category as the early Seventies bands, due to its use of wild and jerky rhythms on which blend excellent analog keyboard shapes & sounds with excellent vocals and scrumptious guitar work. Their music can be defined as close to that of Garybaldi or Flea but with nicer lyrical themes in the style of PFM. "Fiore di Metallo" is a good prog album, based on organ and moog sounds, even if the lyrics are a bit naive and too close to the typical Italian beat themes. Some interesting keyboard passages, as in the instrumental Varius or the opening track Nel mio passato, make this album well worth listening.
Born and based in Genoa, Italy, Giorgio Cesare Neri is a talented multi-instrumentalist and composer with extensive musical experience, among other things, as a session man and author of theatre soundtracks. He was taught the guitar by well-known guitarist Bambi Fossati (of Garybaldi fame), and was for a time a member of the band Agarthi Sound Factory. “Logos”, his debut album as a solo artist, has been described by Neri himself as a personal spiritual journey, or even a prayer.
"Logos" has a most curious sound indeed, a combination of appreciations for the classic Italian prog scene mixed into a drive up spacey rock avenues. In fact the two influences are both well represented, there are long droning guitarscapes that will bring Ozric Tentacles or Djam Karet to mind mixed right in with the classic Italian symphonic sound on other songs…
Gleemen are a foursome from Genoa headed by guitarist extraordinaire and Jimi Hendrix afficionado Pier Nicolò "Bambi" Fossati. After their own successful rendition of "Lady Madonna"(the famous Beatles track) which put them on the map in the late 60's, they did a few live gigs and then decided they were ripe for a full-blown album which they released in 1970. A year later, keeping the same line-up but with a slightly more progressive edge, they would change their name to Garybaldi. Their eponymous album is typical of late 60's psychedelia: replete with raunchy blues vibes, it is a blend of wild, Hendrix-inspired guitar solos duelling with the Hammond organ, heavy pumping bass lines and a solid rhythm section. It covers a multitude of musical ideas, from classic to effervescent, dynamic hard rock, from acoustic to bluesy arrangements…