Genesis Archive

Prog rock audiences have always been receptive to box sets, especially sets that include an abundance of rare material – witness the success of the numerous King Crimson sets. When it came time to assemble their own box sets, Genesis chose to follow the path of rarities instead of merely rehashing their old hits. That means, of course, that Genesis Archives, Vol. 1: 1967-1975 is the province of hardcore fans and collectors, not casual listeners, since there is nothing but unreleased material on the four-disc set…

The first Genesis Archive made sense. It covered the Peter Gabriel years, an era that was not only supremely creative for the band, but filled with rarities, forgotten tracks, outtakes, B-sides, BBC sessions, and live performances begging for a collection. It was a box set for fans and it filled its purpose splendidly. Its sequel, Genesis Archive 2: 1976-1992, attempts to fill the role for the Genesis Mach II, otherwise known as the Phil Collins years, but the problem is, the Collins era was completely different from Gabriel's…

Platinum Collection is a career-spanning box set by British veteran progressive rock/pop rock band Genesis. It was released in 2004 in the UK and one year later in North America…

Esoteric Recordings releases of a newly remastered 5CD clamshell boxed set comprising the two original ‘Archive Collection’ albums by celebrated composer and Genesis founder member Anthony Phillips. Aside from his work as a solo artist, Anthony has been a composer of music for television for many years, going back as far as 1976 and those compositions form the backbone of these collections.

Many long-lived rock artists (Emerson, Lake & Palmer and King Crimson, to name two) are starting to see the value in releasing live archival material. It's a way to thwart the bootleggers, plus it pleases longtime fans. Hackett joins in with this box set release of three shows, one from the 1970s (Hammersmith Odeon, London, June 30,1979), one from the 1980s (Castel Sant'Angelo, Rome, Sept. 13,1981), and one from the 1990s (The Grand Theatre, London, June 8,1993). It's a viable collection, coming complete with a photo-laden booklet which includes an intro to each show written by Hackett (or, Stefanovitch Von Hackenschimdt, as he signs one), a complete tour itinerary covering his solo career to 2000, and track-by-track comments on each song from the 1993 disc (but, strangely, not for the other two shows)…

Though you will see Till We Have Faces often mentioned as the first rock album to draw from world music influences, that's not quite true. Santana, John McLaughlin, Os Mutantes, the Police, Jade Warrior, and others were doing it long before. That said, the album was done before Paul Simon ushered it in as a trend with Graceland. Recorded in Rio de Janeiro and mixed in London, it's a step away from the progressive rock he'd become recognized for and is a mostly successful venture. A couterie of Latin percussionists flesh out the almost all Brazilian band that graces the album, adding layers of complex rhythms. These rhythms are the core of the album and make such songs as "A Doll That's Made in Japan" and "What's My Name" more exotic and interesting; they creatively juxtapose Oriental and South American styles…

"Tracks from the Alps" is the band's fifth studio album, full of six original tracks, and a great cover of the Genesis Archive 1967-75 rarity, "Going Out to Get You".
With the lineup slightly tweaked with the inclusion of Mattia Rossetti as the new bassist, the band have also tightened up their sound, giving it a somewhat more modern atmosphere whilst retaining the techniques and motifs of classic Genesis and getting back to what they do best - presenting what the pastoral Genesis sound might have ended up like had Genesis themselves never abandoned it.