Genesis Audio Fidelity

With all of its members exercising their expertise, the debut album from Mike + the Mechanics posted two Top Ten singles in the span of three months. The songwriting comes out on top before anything else, with the somber stir of "Silent Running," the record's first release, peaking at number six. "All I Need Is a Miracle" followed at number five, with its Genesis-like tempo and polished chorus, and even "Taken In" cracked the Top 40, a simple ballad that's bettered by Paul Young's genuine emotional charm. Carrack sounds just as sharp as he did with Ace or Squeeze throughout the album's nine tracks, while Rutherford's overseeing of the entire project is apparent. While Mike Rutherford's guitar work isn't overwhelming, both his six-string and bass guitar contributions complete a sound foundation for the vocals…

Phil Collins - Face Value (1981). Phil Collins' first solo album, 1981's Face Value, was a long time coming, but it proved worth the wait, both for the Genesis drummer/vocalist himself and fans of thoughtful, emotionally charged pop. He'd been wrestling with the idea of doing a solo record for years, finding great inspiration in the pain caused by an impending divorce and craving artistic independence after years of collaboration. Many of the songs ended up on Genesis' 1980 album Duke - and "Against All Odds" was pocketed for later use - but he kept enough to make an album that stands as a classic moment of '80s pop/rock. Collins produced the album himself and played keyboards and drums, calling in friends and the Earth, Wind & Fire horns to fill out the songs…

With all of it's members exercising their expertise, the debut album from Mike + the Mechanics posted two Top Ten singles in the span of three months. The songwriting comes out on top before anything else, with the somber stir of "Silent Running," the album's first release, peaking at number six. "All I Need Is a Miracle" followed at number five, with it's Genesis-like tempo and polished chorus, and even "Taken In" cracked the Top 40, a simple ballad that's bettered by Paul Young's genuine emotional charm…

MF-Music label specializes in audio files very special box set ambitiously prepared in 2014.
Best mandatory title with a total of 27 kinds of hanjeongban 30 albums, including a new album consisting of three kinds of audio files. The Complete Audiophile Collection Hi-End Super CD Master (30CDs Box Set) (Limited Edition)

MF-Music label specializes in audio files very special box set ambitiously prepared in 2014.
Best mandatory title with a total of 27 kinds of hanjeongban 30 albums, including a new album consisting of three kinds of audio files. The Complete Audiophile Collection Hi-End Super CD Master (30CDs Box Set) (Limited Edition)

Elvin Jones - Genesis (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81072}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 265 Mb | MP3 @320 -> 95 Mb
Full Artwork @ 600 dpi (png) -> 241 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 1971, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81072
Jazz / Post Bop / Modal Music / Drums / Saxophone

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Elvin Jones rose to fame in the company of one of the greatest saxophone players ever – the mighty John Coltrane – and his post-Coltrane work like this really continues a keen respect for the role of the reeds in jazz – and really does a lot to push it forward as well! There's a compelling edge to the record that's light years from Elvin's work with Coltrane – a completely new sensibility that can be spacious one minute, extremely powerful the next – and quite possibly realized to its fullest potential here, thanks to the mindblowing contributions of Dave Liebman on tenor and soprano sax, Frank Foster on tenor and flute, and Joe Farrell on alto and soprano sax.

This is the first Renaissance album: the singer is Jane Relf, not Annie Haslam. A completely different bunch of musicians, compared to the Renaissance of the 70's. Jane Relf's vocals are not really always in the foreground: other musicians also sing on this album. Considering the year (1969), the sound is very progressive and ambitions, comparing to the other major progressive bands such as Genesis and Yes, that are starting and doing a proto progressive sound. Although the line-up is completely different from the classic Renaissance albums, this is as good as the others.

The Top 100 '80s Rock Albums span a series of genres as startling and varied as the era's neon-flecked fashions.No one was immune to the early-decade emergence of new wave, from up-and-coming acts to legacy groups – many of whom began incorporating the then-new sound into their bedrock approach.Meanwhile, classic rock and subsequently metal began a transformation into mass acceptance when the edges were smoothed out to form arena rock and hair metal, respectively. The arrival of roots, thrash, and world music influences kept things interesting, along the way. All of it made selecting the period's best releases both intriguing and deeply challenging.Check out the list below, as Ultimate Classic Rock takes a chronological look at the Top 100 '80s Rock Albums.

Since the 80’s, the name of SODOM grew and became a legend, being one of the three most important Thrash Metal acts of Germany along with KREATOR and DESTRUCTION. The level of respect they gathered throughout the years is a consequence of the importance of releases as “Obsessed by Cruelty” (a Thrash/Black Metal that influences many until today), “Persecution Mania” (where the band had a turn into a standard and personal Thrash Metal form) and “Agent Orange” (their most commercially successful album)…