Geoerge Saunders

Grateful Dead guitarist/vocalist Jerry Garcia and keyboardist Merl Saunders performed live at the Keystone in Berkeley, CA together on July 10th and 11th, 1973. Although components of this memorable show have been previously released, this is the very first time that the concert has become available in its entirety. This 4 disc box set assembles the full set list, all remastered, and in the order in which the songs were performed. The repertoire spans blues, rockabilly, jazz, funk, Broadway, Motown, two Bob Dylan songs, and Jimmy Cliff's immortal The Harder They Come.
The recordings that made up the original Live at Keystone albums by Jerry Garcia, Merl Saunders, John Kahn, and Bill Vitt took place over two nights in July of 1973…

GarciaLive Volume 12 chronicles Jerry Garcia and Merl Saunders' performance at The Boarding House in San Francisco, CA on January 23, 1973, joined by John Kahn (bass), Bill Vitt (drums) and Sarah Fulcher (vox). Both sets from that evening were unique with rarely featured Motown composition "Honey Chile" and famous Carmichael/Gorrell penned "Georgia on My Mind." This one-of-a-kind, previously uncirculated show was mixed from multi-track recordings by Jonathan Wilson (Father John Misty).

GarciaLive Volume 18: November 2nd, 1974 Keystone Berkeley presents the complete & previously uncirculated two-set Jerry Garcia & Merl Saunders performance originally recorded to 1/4” analog reels by Betty Cantor Jackson.

Paul Thomas Saunders is a young, Leeds-based singer/ songwriter who until now fit that mold comfortably. His three previous EPs were largely introspective guitar and vocal affairs. He's gifted with a clear, high voice and a falsetto to die for, but that's the icing on Beautiful Desolation. For his Atlantic debut, Saunders has built an enormous sonic palace. It's full of soaring synths, grand pianos, big drums, thrumming basses, wafting electric guitars, organs, and massively layered effects. It's simultaneously cinematic and melodic. One can hear traces of the late '80s in his production, but it's not nostalgic.

London-born, Berlin-based Rebecca Saunders, who turned 40 last year, is a composer enraptured by sound in the moment and manner of its creation. She's like a poet obsessed not just with the resonances of vowels or the textures of fricatives, but also with the strange in-betweens, where the strangeness of the sound blurs all possibility of conventional meaning.