When Written on Skin had its premiere at the 2012 Festival d'Aix-en-Provence, conducted by George Benjamin himself, it received a standing ovation. The opera's arrival at Covent Garden in 2013 was eagerly anticipated, and provided audiences with the opportunity to experience the work of two of Britain's greatest living artists. Benjamin previously collaborated with playwright Martin Crimp on Into the Little Hill, a magical retelling of the Pied Piper fairytale, and for this new work they joined forces with acclaimed stage director Katie Mitchell. For all three, the production marked their main-stage debut at the Royal Opera House. The tale, inspired by a medieval legend, tells of an ill-fated troubadour, drawn into a liaison with an innocent maiden. But they are observed by the jealous eye of her protector, who wreaks a shocking revenge on the young couple.
London Early Opera (LEO) have recorded a unique program of Handels Italian-inspired works, devised by harpsichordist, conductor, early music specialist and director Bridget Cunningham and featuring a unique family collaboration from world-renowned soprano sisters Sophie and Mary Bevan alongside their uncle, bass Benjamin Bevan. LEO are leading exponents of baroque research as they work closely with musicologists, historians, editors and researchers, interestingly linking dramatic music and singing with narration and art history for their concert performances.
A wonderful collector's edition of jazz pianists' records in almost all styles from the first ragtimes to modern jazz.
THE ANALOGUE YEARS presents a 50-Album overview across 54 CDs, in original jackets, of the celebrated international recordings that emerged from the London-based record label in that pre-digital era.
Decca's 2015 limited-edition box set of the complete Argo recordings of the King's College Choir of Cambridge, directed by David Willcocks, consists of 29 CDs spanning the period from 1957 to 1973. The albums, presented with their original jacket art, offer some of the choir's finest performances, which include three recordings of the Festival of Nine Lessons and Carols (1954, 1958, 1964), anthems by Gibbons, Blow, and Handel, masses by Byrd, Taverner, Haydn, Tye, and Blow, and other great choral works by Bach, Allegri, Palestrina, Tallis, Vivaldi, Howells, and Vaughan Williams. The choir is world famous for its purity of tone and beautiful blend, and under Willcocks' masterly direction it became the exemplar of British choral singing, unmatched by any other ensemble of men and boys.
King’s College Choir are the most famous choir in the world. This 29-CD set of the complete Argo recordings celebrates David Willcocks’ tenure from 1957-1973 and includes some of the most beautiful choral music sung with the choir’s trademark richness and purity of sound. Six albums are released on CD for the first time – David Willcocks’ 1964 Festival of Lessons & Carols and Tye Masses and four albums from Boris Ord, Willcocks’ predecessor. Also includes works by Bach, Tallis, Haydn and others.
A decade after the release of her most politically outspoken album, a reinvigorated Tori Amos once again takes aim at the state of the world on her 15th album, Native Invader. One of Amos' tightest and most digestible efforts, it's a standout in her late-era catalog, featuring instant classics like the epic "Reindeer King" and the surprising thrill "Up the Creek." Much like spiritual sisters American Doll Posse and Scarlet's Walk, Native Invader was influenced by political turmoil on American soil; this time, following the outcome of the 2016 presidential election. However, instead of directing her barbs at an obvious target like she did on "Yo George," she veers her attention toward nature and the land.
This is a great collection of rare and hard to find tunes compiled by Jeffrey Glenn. Hundreds of odds & ends by little known groups, famous singers, and famous singers before they became famous.