George Benson Night

Mosaic Records, known for its historic compilations of Blue Note recordings in either box sets or the Mosaic Select series, introduces its Contemporary line with this reissue of Earl Klugh's 1985 recording. At the least, it is a curious anomaly to all the label's other packages. At best, fans of Klugh will be happy to revisit tunes they may have only owned on vinyl. It's primarily the same syrupy orchestrations by Don Sebesky, the same lugubrious after-hours tempos, and Klugh's laid-back, mostly acoustic guitar framing movie themes, ballads, and an occasional standard. The solo acoustic takes of the swing evergreen "Ain't Misbehavin'" and an always bluesy "See See Rider" are still the standout cuts, flute beautifully leads and identifies the wondrous, poignant "Nature Boy" and "A Certain Smile," while oboe fronts the "Theme from Picnic."

The 3rd album "SAX Night" for Love Suggestions series from Konstantin Klashtorni. Keeping up the mastery of composing and production, the successful producer Konstantin Klashtorni, known for Kool&Klean, produces another great collection of R&B flavored Smooth Jazz for lovers. Don't miss this great opportunity to listen what this album has to offer. Make yourself a pleasure to be cherished by great sounds of this album!

Peterson is a good keyboard player from a musical family. His technique merges blues, rock, and traditional jazz sounds, somewhat in the vein of George Benson but not as pop-oriented. In 1991, he issued a recording on Mesa/Bluemoon titled Smile Blue, with brothers Billy and Paul as part of the ensemble. Subsequent albums in the '90s included 1995's Tear Can Tell and 1999's Souvenir. During the 2000s he has appeared on numerous CDs by both jazz and pop artists, including Stevie Nicks, John Mayer, David Sanborn, Jessy J, Kirk Whalum, Al Jarreau, Patti Austin, and Larry Carlton.

French guitarist/producer U-Nam is again standing tall and looming large on the smooth jazz scene with another creative gem called C’est Le Funk. In addition to dazzling us with his graceful and funky instrumental work (and one funky delivery with vocals from Tim “TiO” Owens), the album is loaded with strong production and presence. Wasting no time putting the groove into high gear from the start, the guitarist leads off with a driving track called “Smoovin’,” continues plowing ahead with the party groover “Something’s Up” and strutting right through the super-funky, hook-rich title track which features Nivo Deux (Nivo Deux is actually a project organized by U-Nam and wife Shannon Kennedy focusing on the incorporation of 80’s Pop, Smooth Jazz, and Electro-Funk).

It is believed that the rush hour lounge music falls on the 50-60s. Then it executes unknown bands, but the rooms were great friends. While implementing lounge music could be called any musician who played in a cafe or restaurant to the public. In the 60s there were ensembles, records which are related to Lounge. Among them - the bands of James Last, Bert Kempferta, Paul Mauriat, Herb Alpert. Distinguished as a lounge music and musical design films, because this style of music can rightly be called the background.

This guitar compilation provides you with a knock-out collection of full albums by guitar icons such as Lee Ritenour (Captain Fingers), George Benson, Al Di Meola, John McLaughlin, John Pizzarelli, G3 and many more. If you’re lucky, you can find this box set for less than € 50,00, so you get a lot of awesome music at a cheap price! The genres range from Jazz, Blues and Rock to Fusion. Great work by great guitarists.

Paris born guitar virtuoso Emmanuel “U-Nam” Abiteboul always had a great affinity for funk. This passion runs through his entire life's work and reaches its peak with the California Funk Machine. Volume I is a collection of selected pieces of funk history that brought it the greatest success and had a decisive impact on it.