George Oshawa

Stanley Clarke and George Duke,two musical titans who'd worked together for years finaly get around to doing a duo album, namely one that emphasises the funk that both artist's regular releases tended to skim over and considering funk is both artists best asset,that's a wonderful thing.

Released just after George left Apple for his own Dark Horse label (and appearing in stores just in time for the Christmas season of 1976), The Best of George Harrison neatly splits into a side of Harrison solo hits and a side of his Beatles tunes. This is the only solo Beatles hits compilation to rely so heavily upon Fab Four recordings, which is a good indication of how George didn't rack up as many charting singles as John, Paul, or Ringo, but having the Beatles tunes here does paint a fuller portrait of Harrison's work as a singer/songwriter, even if it makes the collection somewhat less useful – after all, most listeners would want a George Harrison compilation to focus on his solo recordings, not the Beatles' hits they already have.

Mixed by Grammy Award-winning mixer/engineer Paul Hicks, overseen by Dhani Harrison and remastered and cut at Abbey Road by Alex Wharton, All Things Must Pass is George’s spiritual high, a true classic and unquestionably one of the greatest albums ever made.

Arriving ten years after The Dark Horse Years: 1976-1992, The Apple Years: 1968-75 offers the first act of George Harrison's solo career presented in a handsomely produced, impeccably remastered box set. The outside packaging mirrors The Dark Horse Years but the discs housed inside the box show a greater attention to detail than the previous set: each of the albums is presented as a paper-sleeve mini-LP replicating the original album art (Extra Texture does indeed have extra texture on its sleeve), while the brief hardcover book contains perhaps the glossiest paper to ever grace a rock music box set…