THE COMPLETE REMASTERED RECORDINGS ON BLACK SAINT & SOUL NOTE is a monographic box-set collection aimed at recounting the most beautiful chapters that revolutionised the history of jazz. This new series was launched in March 2010 with the simultaneous release of four box-sets, including albums by some of the artists who participated in the success of the outstanding labels. A philological work, beginning with the original recordings on multi-track master tapes, patiently integrally remastered paying strict attention to the sound quality.
Tracks from three recently discovered 1960s concerts, by the celebrated arranger, pianist & experimental theorist, George Russell, released here for the very first time - and from the same period as his famous Ezz-Thetics album (1961) with Eric Dolphy. The first, in Lennox Massachusetts, includes Al Kiger, Dave Baker, Chuck Israels & Dave Young; the 2nd, from the 1964 Newport Jazz Festival features Don Ellis, John Gilmore, Steve Swallow, Pete La Roca & Sheila Jordan. The third, a single track, is from a 1964 European date, with Thad Jones, Joe Farrell, Al Heath & Garnett Brown. Included are new versions of the Russell classics: Stratusphunk and The Outer View.
Features the high-fidelity SHM-CD format (compatible with standard CD players). Brand new digital remaster. A pair of modern moments from George Russell – back to back on a single CD! Stratusphunk is not "phunk", in the way you might think of "funk" – but an album that sets a whole new standard for modern jazz in the 60s – thanks to the fresh ideas of George Russell! Russell's in his best modal mode here – and there's a highly rhythmic construction to most tunes – layers that build beautifully, and which have a sharper edge than some of George's earlier work in the 50s – a balance that's better heard than described by our words, and which is completely compelling right from the start.
Originally issued on the Norwegian Sonet label in 1971 and later re-released on Soul Note (without "Concerto for Self-Accompanied Guitar"), The Essence Of… contained George Russell's first large-scale work to incorporate electronic elements from contemporary classical music as well as an emerging influence of modern rock.
This CD release contains the outstanding studio album George Russell Sextet in K.C. in its entirety. The session was recorded in New York and features some of the compositions that the sextet was asked to play in the course of a two week engagement at a club called the Blue Room in Kansas City.
5CD SET OF THIS JAZZ MAVERICKS GOLDEN ERA INCLUDES ALL ALBUMS RUSSELL MADE AS BANDLEADER BETWEEN 56 & 64. George Allen Russell was an American jazz pianist, composer, arranger and academic who was among the first musicians to contribute significantly to the theory of harmony based on jazz rather than European music, as expounded in his book Lydian Chromatic Concept of Tonal Organization .
George Russell has been an important and innovative contributor to contemporary jazz ever since he wrote for Dizzy Gillespie's first Carnegie Hall concert in the Forties. He remains a most highly regarded composer, bandleader, and theoretician (the "Lydian" concept) both in the United States and in Europe, where he lived and worked for a number of years. In the Sixties, he formed a unique small group that rather amazingly combined "outside" experimentation and firmly-rooted funk (the personnel included, at times, Eric Dolphy and Don Ellis). The aptly-named Stratusphunk was the first of his four albums for Riverside; in addition to some notable Russell compositions, it features an early work by Carla Bley.
Composer George Russell's early-'60s Riverside recordings are among his most accessible. For this set (the CD reissue adds an alternate take of the title cut to the original program), Russell and his very impressive sextet (which is comprised of trumpeter Don Ellis, trombonist Garnett Brown, Paul Plummer on tenor, bassist Steve Swallow and drummer Pete La Roca) are challenged by the complex material; even Charlie Parker's blues "Au Privave" is transformed into something new. It is particularly interesting to hear Don Ellis this early in his career. The most famous selection, a very haunting version of "You Are My Sunshine," was singer Sheila Jordan's debut on records.